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Word: canvasing (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

BIEGET: It's kind of like the difference between buying a paint kit with a limited number of colors and painting by numbers as opposed to getting a blank canvas and mixing your own paints and slapping it on with anything--brushes, toes, whatever. We approach the instruments in a...

Author: By J. C. Herz, | Title: BOSTON'S MOST ECCENTRIC | 4/9/1992 | See Source »

The method of "transfer of nature to canvas" differs from artist to artist, but the underlying theme seems to be a simplification of natural forms to their bare essence. The genre attempts to narrow the dichotomy between form and content. The artists' subjects are brought to the surface by means...

Author: By Aparajita Ramakrishnan, | Title: Exhibit of Modern Art Surveys the 20th Century's Aesthetic Innovators | 4/2/1992 | See Source »

Although Leger is a contemporary of the famous Jackson Pollack, who transfers nature onto the canvas through the spontaneous splash of paint, he utilizes a more controlled approach. Leger transforms nature, in this case, the flower, onto the canvas by means of dynamic contour manipulation.

Author: By Aparajita Ramakrishnan, | Title: Exhibit of Modern Art Surveys the 20th Century's Aesthetic Innovators | 4/2/1992 | See Source »

Dubuffet, Derain, Chagall and Pascin each add to the transformation of nature to the canvas. Dubuffet uses a color scheme in his canvas entitled "Site avec 2 Personnages" (1982). The bright red strokes guide the eye through the painting. This method of color contour tracking is a unique method of...

Author: By Aparajita Ramakrishnan, | Title: Exhibit of Modern Art Surveys the 20th Century's Aesthetic Innovators | 4/2/1992 | See Source »

...canvas, altering the color scheme and presenting it as avant-garde "high art," Warhol raises questions about why we call certain things art, and how the mainstream of popular culture looks at and effects artistic progress. He raises similar questions about popular attitudes toward money (large $-signs on blank canvases), sensationalism (silk screen paintings of car crashes and electric chairs) and fundamentalist Christianity (a painting that says simply "Repent and Sin No More...

Author: By Alexandra K. Schwartz, | Title: Pop Culture On the Wall | 4/2/1992 | See Source »

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