Word: canyoneering
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...Bulletin's 180-page first Sunday edition this week, thrown together in eight days by regular Evening Bulletin staffers working overtime, was packed with such ex-Record features as Drew Pearson, Hedda Hopper, Steve Canyon and Li I Abner. It included comic and book sections still under the Record emblem, and two magazine sections for the price of one: Marshall Field's Parade and Hearst's American Weekly-both of them loot from the Record. With a Sunday package like that, Publisher McLean hoped soon to take the qualifier out of his advertising slogan: "In Philadelphia, Nearly...
Rank's Caesar & Cleopatra ($2,250,000), the only foreign film to squeeze into the top 60, barely made it (No. 56)-below Two Guys from Milwaukee but above Canyon Passage. Henry V ($700,000 with only ten engagements) was the first real dent, Variety noted, that Shakespeare ever made on the U.S. box office. The Seventh Veil ($2 million) was the "first foreign production to honestly break into the consciousness of the average U.S. filmgoer...
...Marshall Field calls for a $2,000-a-week minimum. The Field organization was not equipped to sell the new strip nationally, so left-winger Field, who shudders at William Randolph Hearst on his editorial page, made a deal with the old lord of San Simeon. For selling Steve Canyon, Hearst's King Features Syndicate got first rights to run the new strip in all Hearst papers outside Chicago (including the tabloid Mirror in New York, instead of Field's small...
...hero, Steve Canyon, would be a lean and squinty, older version of Terry; a fellow with an easy, insolent, Gary Cooperish grace that marked a breed of plainsmen, and airplanesmen. Canyon knew the world and its airlanes-and its women-as his granddaddy would have known the way stations on the Overland Trail. So he went into business on a shoestring as Horizons, Unlimited, and took for his trademark an old Navajo double-eagle design (see cover). His first customer would be a tough one: a wolverine of Wall Street, slinky Copper Calhoon...
Caniff plotted his new characters as carefully as any fiction writer. "The guy, now, had to have a name that would stick," Caniff explained. "It had to be three syllables, Dead-eye-Dick, or John-Paul-Jones. . . . Steve-Canyon. Not a real name, or one you could turn into a dirty word. But a guy who'd have a girl in every port, and could do all the things that a youngster like Terry couldn't. Why, Terry couldn't even smoke. And with people in the Orient we couldn't use those casual, normal insults...