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Iranian Photographer Kaveh Golestan, who has risked his life and freedom to cover Iran's revolution for TIME, received the O.P.C.'s Robert Capa Gold Medal. The award for best photo reporting from abroad went to David Burnett for pictures taken mostly on assignment for TIME. Burnett was also named Magazine Photographer of the Year in the University of Missouri/National Press Photographers Association competition and won the organizations' newsmagazine first prize for his photo of a Cambodian refugee mother and child. (The same photo was chosen Press Photo of the Year in the 23rd World Press Photo Contest...

Author: /time Magazine | Title: A Letter from the Publisher | 5/12/1980 | See Source »

...LIFE, the magazine that practically invented photojournalism. From the war's prelude in Spain to the Japanese surrender nine years later, the magazine's photographers provided the images that alerted and moved a nation. Many of the pictures have been permanently filed in our imaginations: Robert Capa's famous "moment of death" of a Spanish Republican soldier; the dead Chinese child being carried to a mass grave like a sack of laundry; Mussolini flapping his arms like a prize rooster; MacArthur sloshing ashore in the Philippines; the pinups of the '40s-Betty Grable, Dorothy Lamour, Rita...

Author: /time Magazine | Title: Books: New Readings of the Season | 12/12/1977 | See Source »

...about fifteen pictures in the show, we can see more clearly just what sort of havoc Doty has wrought with what is generally accepted photographic history. Of the members of Magnum, the photojournalists' cooperative that nursed most of Life's best talent from 1930 to about 1960. Robert Capa, generally conceded the greatest war photographer ever to live, is missing completely: so are Elliot Erwitt and Constantine Manos, both of whom have had one-man shows at the Museum of Modern Art; Danny Lyon, whose photoessays have been widely acclaimed, has only one picture in the show. But Dennis Stock...

Author: By Bob Ely, | Title: Flaming Out of Recognition | 1/15/1975 | See Source »

Ample Program. The I.C.P. is the child of ebullient, beetle-browed Photographer Cornell Capa. Housed in a rambling Georgian mansion on East 94th Street-it was once the Audubon Society's headquarters, and pigeons still roost in its unrenovated attics-it has an ample program: exhibitions, archive, study center, seminars, master classes, lectures. It is a culmination of years of effort by Capa to get museum exposure for such doyens of the document as Lewis Hine and Andre Kertesz, together with Capa's contemporaries and friends, some prematurely dead: David Seymour Dan Weiner, Werner Bischof, and Capa...

Author: /time Magazine | Title: Art: Pictures at Two Exhibitions | 12/9/1974 | See Source »

...idea that any photography can t be personal is madness!" Capa growls...

Author: /time Magazine | Title: Art: Pictures at Two Exhibitions | 12/9/1974 | See Source »

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