Word: caperers
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...friends seemed to think it was a good idea: I couldn't persuade any of them to share my rental house in the city's walled Old Town. If they had heard of Cartagena at all, it was only as the backdrop of the classic 1980s romantic caper Romancing the Stone, a place of corrupt juntas and bodice-ripper-reading drug dealers - a parody turned deadly serious by four decades of civil war, Pablo Escobar and cocaine cartels. But what my friends - who spent their vacations standing in line at Space Mountain or screaming down the Atlantis waterslide - failed...
...reclaim her identity, inside of an organization that would perhaps prefer she be stopped. But then within that, because she takes on a different personality every week, there are all sorts of adventures. There's one that's like a whodunit, there's one that's like a caper, there's one that's like a horror movie. We can bounce around...
Echo has a different assignment each episode--the three sent for review are a hostage case, a wilderness adventure and a heist caper--which makes Dollhouse a kind of drama-school exercise for Whedon and Dushku. The genre-hopping Whedon is up to the task; his hostage-negotiation story would make a crisp pilot for a CBS procedural. And he unsettlingly conveys the actives' experience of living a constantly interrupted dream. ("Did I fall asleep?" they ask after each treatment.) But Dushku, memorable as the bad-girl Faith in Buffy, isn't much of a chameleon. She's passably callow...
...writer whose crime novels inspired a couple dozen movies (seven of them French), Donald Westlake, 76, could have retired with honors in the 60s, after Godard turned The Jugger into Made in USA and The Hunter became John Boorman's Point Blank. In the 70s he owned the comedy-caper genre, for what that's worth, with The Hot Rock, Bank Shot and Hot Stuff. He wrote scripts based on his own novels and those of other crime writers, incl. Jim Thompson's The Grifters (Oscar nomination) and Patricia Highsmith's Ripley Under Ground. He knew the difference...
...eventually succeeds in constructing itself as an epic film, it just isn’t a very good one.The story of “Australia” is essentially a series of clichés. Lady Sarah Ashley (Nicole Kidman), an upper-class Brit, gets wrapped up in a caper when she treks to her husband’s cattle ranch Down Under on the eve of World War II only to find him dead. Powerful cattle mogul King Carney (Bryan Brown) and his villainous lackey Fletcher (David Wenham) have consolidated a monopoly on the Australian beef industry just...