Search Details

Word: capes (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

Moro is a genius of the erotically macabre. Next to him, Lugosi is as benign as a bishop. "Bela," says Moro, "had the mannerisms, the Transylvanian suavity, the cape work, all that, but I don't think he ever really felt the urges." Moro feels them down to his hairy gray toes, because he understands the truth about monsters. They are not something else, but projections of ourselves turned inside...

Author: /time Magazine | Title: Books: Dream Ghoul | 3/27/1972 | See Source »

...OVER a decade, young followers of William Alfred have looked back to Arthur Kopit's Sputnik rise to fame when he turned squeaky old Agassiz into a Cape Canaveral for Broadway. His Oh Dad, Poor Dad, Mama's Hung You In The Closet And I'm Feeling So Sad was a succes de everything that paved a high way to the big time in the dreams of Harvard playwrights. While the latest Agassiz Grant-In-Aid local-talent extravaganza might show some succes, it decidedly lacks the everything...

Author: By Whit Stillman, | Title: Matador | 3/18/1972 | See Source »

...personality, ever active, ever activated, and always in control. With satellite figures, she is the play. And as she becomes more successful, more self-confident, a dichotomy arises between possession of the audience and her own personal life." Fluttering her soul in front of the audience as her cape, Casey must either control or be crushed...

Author: By Phil Patton, | Title: Enter the Arena: Liz Coe | 3/16/1972 | See Source »

...herself is no novice at handling the dramatic sword and cape. She began both writing and directing plays in high school, and has studied playwriting under William Alfred. The Bull Only Gets the Matador Once in a Lifetime numbers as her fifth product. Beyond this, she has done extensive directing, including productions of Joe Egg and Look Back in Anger at the Loeb last year, and two one-acts, Black Comedy and The Public Eye, last fall. In May she returns to the Loeb to direct the Harvard Dramatic Club Production of Moliere's Imaginary Invalid...

Author: By Phil Patton, | Title: Enter the Arena: Liz Coe | 3/16/1972 | See Source »

...Lifetime represents, but also feel what Mann symbolizes as, "I don't want to be thought of as a directress; I am a director." Both are quietly confident of script and cast, and Casey Cowen takes the stage tonight for the first time, with figurative sword and cape...

Author: By Phil Patton, | Title: Enter the Arena: Liz Coe | 3/16/1972 | See Source »

Previous | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | Next