Word: capo
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Dates: during 1970-1979
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...investigation began in December when police, disguised as Christmas-tree salesmen, set up shop across the street from a Brooklyn bar frequented by mobsters. The surveillance led police to the junkyard trailer where Paul Vario, a capo in the Mafia family of Carmine Tramunti, either met or conferred on three phones with, according to Gold, "all the top members of organized crime." Gold, alluding to an "imaginative and innovative approach," is not saying precisely how the bugging device was planted, but it is known that an FBI informer who had unchallenged access to the trailer played a crucial role...
...shots missed their mark, and Lombardi quickly fled into the night. Unruffled, the Gambinos dispatched two gunmen to track down Lombardi and then resumed their discussion of the fate of the Manfredi cousins, Phillip J. ("Little Phil") and Phillip D. ("Big Phil"), judged guilty of double-crossing a Gambino capo. The two Phils, big and little, were executed in The Bronx later that night...
...none of the other 19 Mafia clans across the nation dare to challenge them. If the Gambino family literally buried its opposition in New York, then Carlo Gambino could, if he wished, control the entire national rackets combine of La Cosa Nostra. He might become what the Mafia calls capo di tutti capi -boss of all bosses. The job has been vacant since Salvatore Maranzano was assassinated...
...three enemies: 1) Alphonse ("Alley Boy") Persico, the Colombo war chieftain; 2) Nick Bianco, a New England gangster whom the Gallos want killed because he arranged the treaty that ended the Gallo-Profaci war ten years ago while Joey was in jail; and 3) Joe Yacovelli, a Colombo capo. The Gallos believe that Yacovelli had a hand in Joey's murder...
...tempo. Harnoncourt easily could have selected what he considered the optimum tempo for a bourree and simply plunged through both of them with metronomical precision. Instead, he slows down the second bourree, allowing the solo flute to come out--and then returns to the opening tempo in the da capo. In the extensive program notes that come with the two discs, Harnoncourt explains this by characterizing one bouree as stuermische and the other as delikate; and he plays them accordingly...