Search Details

Word: capps (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

TIME cover stories have been concerned with the comic-strip world twice before; in 1947, we presented Milton Caniff, who was then about to launch Steve Canyon, and in 1950 we ventured into Dogpatch with Al Capp. Since those days, the comics have gone through a slump as well as a renaissance. For some time now, the editors have been considering the comics' new style. More and more the strips are offering political satire, psychology, and comments of varying subtlety on the rages and outrages of everyday life...

Author: /time Magazine | Title: A Letter From The Publisher: Apr. 9, 1965 | 4/9/1965 | See Source »

...funnies are becoming funny again," says Comics Researcher David Manning White of Boston University. "It is a verbal humor and it sticks. It hurts a little bit." Adds Al Capp, who has produced some pungent humor of his own-and added Lower Slobbovia to popular geography-in the hillbilly world of Li'I Abner: "The new comics are the real Black Humorists." In Walt Kelly's Pogo, a group of peculiarly human denizens of Okefinokee Swamp -a cigar-chewing alligator, a bespectacled owl, a turtle sporting a derby-play with words, con one another, and offer the only...

Author: /time Magazine | Title: Comics: Good Grief | 4/9/1965 | See Source »

...Peanuts characters are good mean little bastards," says Al Capp, "eager to hurt each other. That's why they are so delicious. They wound each other with the greatest enthusiasm. Anybody who sees theology in them is a devil worshiper." Maybe so. But there is no doubt that Schulz, a fervent Bible reader, is aware of original sin. He owns up to making his Peanuts mean because he believes that kids are born mean. But by making his characters cruel on occasion, he has also made them believable. They have a dignity and a formality that is touching; children...

Author: /time Magazine | Title: Comics: Good Grief | 4/9/1965 | See Source »

Exhibition participants, who examined and ponderously commented on all manner of comic-strip techniques, included an assortment of professors, movie directors, publishers, and three imported American comic-strip writers: Al Capp (Li'I Abner), Alfred Andriola (Kerry Drake), Lee Falk (Mandrake, the Magician). Most of the participants seemed thoroughly convinced that significant trends can be discerned in the way Li'l Abner runs from girls or scratches his head...

Author: /time Magazine | Title: Comics: The Modern Mono Lisa | 3/5/1965 | See Source »

...whole affair was a heady experience for the American comic-strip writers, who have long taken for granted that they are part of the American subculture. Said Al Capp: "At home, nobody has ever asked me for an autograph for himself. It's always for a demented brother who reads my junk, or his idiot nephew. Writers don't take you seriously because you draw. Artists don't take you seriously because you write. Now we come to Europe to find out that it's deep stuff, and if I stay around these guys much longer...

Author: /time Magazine | Title: Comics: The Modern Mono Lisa | 3/5/1965 | See Source »

Previous | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | Next