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...Happened One Night, with Clark Gable, Claudette Colbert. Director: Frank Capra...

Author: /time Magazine | Title: Radio: The Week in Review | 6/20/1955 | See Source »

...towheaded toddler, Goodie never had to be urged to climb up on a chair and sing or recite for guests. When he reached Manual Arts High School, Goodie swam in his natural element. There was plenty of competition (among his class of 1915: General Jimmy Doolittle, Frank Capra, Lawrence Tibbett, former Lieutenant Governor Buron Fitts), but Goodie rose like a bubble in a glass of beer to the head of the class. He was yell leader, composer of school songs, star of the debating team, an enthusiastic member of the glee club and the dramatic society, a perennial master...

Author: /time Magazine | Title: CALIFORNIA: Don Juan in Heaven | 5/30/1955 | See Source »

...Director Frank (It Happened One Night) Capra revealed that he has been preparing a series of educational TV movies for the past year. Titled Man, the Explorer, each film will run about an hour as a "combination of entertainment and factual science like LIFE magazine is doing...

Author: /time Magazine | Title: Cinema: Critical Times | 9/21/1953 | See Source »

...Denise Dareel), who puts a respectable front on a disreputable past; a salty New Englander (Hope Emerson), who spouts seafaring lingo; a frail, pregnant schoolteacher (Beverly Dennis); a muleskinning crack shot (Lenore Lonergan); an Italian immigrant (Renata Vanni) with a nine-year-old boy. In the tradition of Frank Capra, who supplied the story for Scripter Charles Schnee, Westward the Women deploys its ample stock company and wealth of incident in a highly artificial pattern designed for a maximum of humor, pathos, action and romance. The result carries little conviction, either historical or human, but it makes a slick piece...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 7, 1952 | 1/7/1952 | See Source »

Leaning heavily on the crutch of slapstick, Capra works hard to manufacture laughs out of such feeble stuff as the roistering antics of a drunken Irishman, the flowering of frustrated Alexis into hip-slinging whistle-bait, the arch effeminacy of the protocol expert at society weddings. He stages the film's one bright song (In the Cool, Cool, Cool of the Evening) with the same frenzied use of silly props that he displayed in Riding High. Young Italian Soprano Anna Maria (The Medium) Alberghetti sings well in a long opening sequence that has nothing to do with the rest...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 15, 1951 | 10/15/1951 | See Source »

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