Word: capriccios
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...season with a week of pure paesani, starting with Aïda - as the company has done so often that a local critic named the War Memorial Opera House the Aïdatorium. But the new season also includes Poulenc's Dialogues of the Carmelites, Strauss's Capriccio, Tchaikovsky's The Queen of Spades - all operas the Met audience will...
...daughter of the Bay of Naples, she has within her the blood of the Saracens, Spaniards, Normans, Byzantines and Greeks. The East appears in her slanting eyes. Her dark brown hair is a bazaar of rare silk. Her legs talk. In her impish, ribald Neapolitan laughter, she epitomizes the Capriccio Italien that Tchaikovsky must have had in mind. Lord Byron, in her honor, probably sits up in his grave about once a week and rededicates his homage to "Italia! oh, Italia! thou who hast the fatal gift of beauty." Vogue Magazine once fell to its skinny knees and abjectly admitted...
...foreign tongues: German, in particular, they think, is a language that sits uneasily in the throat. Nevertheless, when Soprano Elisabeth Schwarzkopf, 46, was lured to Paris to make a double debut-as the Marschallin in Der Rosenkavalier at the Paris Opéra, and as the Countess in Capriccio at the Opéra Comique-both productions were cast in the original German. In Soprano Schwarzkopf's case, the language might also have served as a reminder of her early career as a leader of a Nazi studentbund and a wartime favorite of Nazi audiences...
...Rosenkavalier she was by turns amorous, petulant, rueful, forgiving, giving vibrant conviction to her understanding of the Marschallin as "the typical sensuous woman." And with her pure soprano under fine control, she was even more impressive in Capriccio, the gentle "conversation piece for music" that stands as Strauss's operatic testament. The triumph was doubly remarkable because Capriccio is all talk and no action, an 18th century intellectual argument over the relative merits of words and music. Said Schwarzkopf, elated but astonished at her success: "Two Italian singers and some dancers appear, the countess changes her dress -and that...
...EVENING CONCERT. Sibelius, Karelia Suite, opus 11; Bach, French Suite no. 4 in E flat; Stavinsky, Capriccio for piano and orchestra; Schubert, Trio no. 2 in E flat, opus 100; Mozart, Concerto for bassoon in B flat...