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Last week, by the time Director McKinney got ready to move his show on to Minneapolis, 27,380 people had gone to see it, and polls had shown that a majority of visiting moppets liked Jiminy Cricket best of all Disney characters. Captious critics, looking at the Disney show as art, could still complain that Disney is more successful with mice, ducks, dwarfs and hobgoblins than with human characters. But they had to admit that in his first 17 years Disney had never stood still or done the same thing twice. Today, with world-famed composers and artists clamoring...

Author: /time Magazine | Title: Art: Mickey Mouse on Parade | 1/6/1941 | See Source »

...years. In 1936 came The Plow That Broke the Plains, in 1937 The River, in 1940 The Fight for Life. All three were directed by Pare Lorentz. The first dealt with the dust bowl, the second with flood control, the third probed childbirth mortality in U. S. slums. Even captious critics granted that its 69 minutes of clinical realism established Pare Lorentz as No. 1 U. S. director of documentary films...

Author: /time Magazine | Title: THE CONGRESS: Fight for Life | 5/6/1940 | See Source »

...Franklin Roosevelt Joe Kennedy saw last week was not the fractious, irritated, harried man who sat at the same cluttered desk last summer. A remarkable change has come over the President: once again he is relaxed, confident, charming. Gone is his captious attitude to the U. S. press. Old Mark Sullivan, dean of Washington columnists, noted the change a month ago, hopefully analyzed the President's bubbly jocularity as a signal he has decided not to run again...

Author: /time Magazine | Title: THE PRESIDENCY: Smiling Sphinx | 12/18/1939 | See Source »

...Indies, once the bourn of every explorer, source of spices and plumes and gold, home of the noble savage, Ophir, cradle of wealth, land of the faraway dream, are now the backyard of squabbling empires. Six captious countries have their pieces...

Author: /time Magazine | Title: THE INDIES: Cradle Into Backyard | 11/27/1939 | See Source »

Room Service, in its screen version, is open to criticism on one point. The Marxes have been playing as themselves too long to hope that the public will ever accept them as characters in somebody else's story. Captious critics may find that the resultant absence of illusion in Room Service impairs its hilarity. Loyal Marxists will find it well up to the standard of such predecessors as A Night at the Opera or A Day at The Races. Good shot: Harpo's happiness when the turkey, apparently gone for good, returns to roost nervously on a window...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 3, 1938 | 10/3/1938 | See Source »

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