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Twenty years ago, asked why he had so many assistants in his studio--by that time he had left New York for Captiva Island in Florida--Rauschenberg replied, "Because it takes away the egotistical loneliness of creation." Then he wryly added, "But the downside is that you have to wake up with an idea that will keep eight people busy for eight hours." It was true enough to be a difficulty: the basis of Rauschenberg's genius as an artist, despite his love of collaboration, has always been his autographic touch, the sense that one sensibility was at work...

Author: /time Magazine | Title: ART: ROBERT RAUSCHENBERG: THE GREAT PERMITTER | 10/27/1997 | See Source »

Bush, a moderate on abortion before he embraced the Reagan philosophy 12 years ago, cannot switch back. Another reversal would shatter his support among right-wing voters crucial to his re-election. But he needs centrists like Carol Daniels, 56, a former schoolteacher from Captiva, Fla., who says she was "born a Republican and have been a Republican all my life." Daniels hates being a single-issue voter, but she hates Bush's abortion stand even more. "I'll not vote for him," she says firmly...

Author: /time Magazine | Title: Abortion the Issue Bush Hopes Will Go Away | 7/13/1992 | See Source »

...Captiva...

Author: /time Magazine | Title: Letters, Jan. 30, 1978 | 1/30/1978 | See Source »

...didn't shed some light on his or her own work." So, in preparing for his appraisal of Artist Robert Rauschenberg-who is not only the subject but also the designer of this week's cover, a collage commissioned by TIME-Hughes spent a week in Captiva, Fla., as a member of Rauschenberg's household. He later accompanied the artist to Washington, D.C., for the installation at the Smithsonian Institution of a huge retrospective of the Pop art patriarch's work...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 29, 1976 | 11/29/1976 | See Source »

...Captiva, in the Gulf waters that lie south of Tampa, Fla. There, equipped with two lithographic presses, he presides over a working commune of printers and friends, whose timetable has become adjusted to his: breakfast at noon, swim, work all afternoon and evening, dinner never earlier than midnight. "You can't imagine," he cackles, "how many disturbances I miss out on down here." This landscape offers the clue to his recent work, beginning with the Hoarfrosts and continuing through Jammers, a series of delicate sewn constructions of silk, twine and rattan cane. They are without pretension, and hardly displace...

Author: /time Magazine | Title: The Most Living Artist | 11/29/1976 | See Source »

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