Word: caravaggio
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...friend's handwriting," he once said. Among his finds were five Francesco Guardi canvases rolled up in an Irish country shed; two Tiepolo ceiling paintings, one in the drawing room of London's Egyptian embassy and the other at a golf club outside London; and a Caravaggio in an English country home. So renowned were his feats, it was said that financially hard-pressed British landowners dreamed of hearing the butler announce, "A Mr. Carritt to see you, my lord...
...story of French art in this period is very largely that of painting's struggle to be seen on a level with literature or philosophy. This entailed confronting the source of all great artistic prototypes, Rome, which supplied models both antique and modern. The chief modern one was Caravaggio, who had died on a malarial Mediterranean beach at the start of the 17th century and left behind him a vast legacy of influence all over Europe. To paint commonplace models in tavern settings or caves of gloom, to infuse biblical subjects with an exacting realism and directness, to drive...
...best French painter to fall under Caravaggio's spell was, however, Georges de La Tour (1593-1652). His own Fortune Teller (the subject was perhaps bound to be popular in a country as worried about the future as early 17th century France) is condemned at the moment to a period of freakhood, thanks to 60 Minutes, which briefly rose from its usual torpor about cultural affairs to pillory it as a modern forgery. Reputable scholars agree, however, that there is no real question about The Fortune Teller's authenticity; its age has now been scientifically confirmed. It remains...
...from other centers in Italy, and this gave an eclectic tone to Venetian art. With no dominant brush to impose its presence, as Titian's had, almost anything went -remnants of international mannerism. Venetian color, quotations from Roman or Flemish Baroque, borrowings from the new realism of Caravaggio and his great Spanish follower, Ribera. The city was visited by geniuses, like the young Rubens; but its art colony consisted mainly of third-rate painters turning out ragged marsh peasants, holy Virgins with the rolling eyeballs of mad colts, and wardrobe-like, impermeable nudes...
...virtually no contact at all between Japan and Europe. Yet by one of the odd coincidences of history, art began to move in a similar direction in both places at the same moment: there was a slow shift from high religious subjects toward the themes of everyday life. As Caravaggio painted his gamblers, gypsies and tavern scenes, so dozens of Japanese artists began to set down the details of street festivals and bathhouses on the largest "official" scale known to Japanese art -the byōbu, or folding screens, closely detailed and richly ornamented with gold leaf, which decorated...