Word: caravaggio
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Archaeology of Newness. To understand Delaunay's modernity one has to realize how old-fashioned the subject matter of cubism was. Picasso or Braque's still lifes, with their tilted cafe tables, guitars, fruit and playing cards, were scarcely different as subjects from those of Caravaggio or Chardin. Despite a few contemporary intrusions (newspaper headlines, printed tickets, linoleum), the subjects of cubism were classical, traditional. They ignored the technology, whose scale, speed, ingenuity and arrogant newness so captivated poets like Guillaume Apollinaire, Filippo Marinetti and Blaise Cendrars, or painters like Fernand Léger, Francis Picabia -and Delaunay...
...there are some small ways to escape into a world more harmonious than Cambridge, or a time less threatening than Reading Period. Upstairs at the Fogg, Orazio Gentileschi's Madonna With the Sleeping Christ Child (a recent acquisition) shines with that inexplicable inner light of Caravaggio, Gentileschi's master. And in a small back gallery on the first floor of the museum the Heinz Gotze Exhibit of Japanese Art exemplifies the peculiarly Oriental process of passing from the seen to the unseen. The paintings and calligraphy make a pictorial poetry which Ezra Pound described as "the ideal language...
Cyclopean Breast. Even when a Spanish painter lived away from Spain, he could keep a peculiarly Iberian fla vor. Such was the case with Ribera, who spent most of his working life in Italy, becoming the most gifted of Caravaggio's followers and the best artist in 17th century Naples. His portrait of Magdalena Ventura, the bearded lady of the Abruzzi, exposing one cyclopean breast as her worn husband looks on, belongs to the same Spanish tradition of dispassionate curiosity about freaks as Velasquez's court dwarfs and idiots...
...artist. There is a marvelous Chardin that Catherine herself commissioned to depict the "Attributes of the Arts." There is an exquisite early Gainsborough that looks ahead to his immense popularity as "face-painter" of the most beautiful women. The most spectacular picture is The Lute Player, painted by Caravaggio circa 1596 when he was only 23. No artist who saw its hard-lined reality, its dramatic lighting, its thrusting composition (the lute's throat almost reaches across the table to the viewer's eye), ever painted quite the same again...
...Arts who is currently serving as the Fogg's acting assistant director. The show features 13 works from the Schools of Bologna and Rome, including two different interpretations of the biblical legend of Joseph and Potiphar's wife (one of the greatest stories ever told) by Roman followers of Caravaggio. One of those two paintings is of special interest because it was done by one of the few women artists of the day, Artemesia Gentileschi. Gentileschi--the victim of a scandalous rape--knew full well that no man is entirely pure, and shows Joseph during a moment of hesitation before...