Word: caravaneers
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...based upon Stephen Foster tunes, Susanna Don't You Cry, which, for all its musical charm and its flashy mounting by Robert Edmond Jones, had a plot which died of Southern molassitude. The Lyric Theatre next put on an evening of dancing by Lincoln Kirstein's Ballet Caravan-an uninspired Air and Variations to music by Bach; an arty cigar-store Indian Pocahontas (Elliott Carter Jr.); a rich, loamy piece of Americana, Billy the Kid (Aaron Copland...
Balletomanes were charmed by the curtain raiser to the Benét-Moore opera. Called Filling Station, it was a fantasy danced by the Ballet Caravan to polished music by Virgil Thomson. This week the American Lyric Theatre presents more ballet and another light opera, Susanna, Don't You Cry, constructed around the beloved melodies of Stephen Foster...
From up-&-coming Nocona 18 riders set out in March with a rousing send-off in their ears, behind them a caravan of trucks and trailers for spare horses, sedans for the judges and Promoter Parton. Eighteen miles out, the lone woman in the race was disqualified when a judge caught her riding in a truck while her horses peered out placidly from a trailer. When the going got tough, five other riders dropped out. Nevertheless, Promoter Parton and his pals had a rare outing, a lot of it in wayside saloons. But as the California line neared they began...
Today at 12:56 P. M. Charles R. Apted will take over Lehman Hall: "President Conant and about twelve members of the University attending the meeting, already have their reservations on the Caravan. Who's next? "The Caravan choo choos along and picks up more Harvard men at each stop (see how it works)." No sooner settled in the deep South at their headquarters, the Hotel Roosevelt, the Harvard gentlemen will have to face three busy days. At symposia, business meetings, and graduate school seminars, such topics as "Youth Dons the Toga of Citizenship," "The Student helps the Dean...
...characters are plain folk, not fancy Indian-fighters and adventurers. His Indians are mostly beggars and hangers-on, a menace only to horses, cows and the pioneers' imaginations. The real enemies are cholera, diarrhea, dust, heat, rivers, white bandits, traders, quarreling among themselves. Out of jealousy, the caravan captain ruthlessly abandons a middleaged, kindly schoolteacher in the desert. But he is efficient, and he does not, like many another captain, abandon women and the sick because they cannot keep up. The romance between Nancy Ann and a hard-muscled "recruit" picked up along the way is as earthy-gritty...