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Floppy disks for personal computers generally come in bare-bones cardboard cases; the imagination all goes into the programming. For the Ability software package, though, Toronto's Spencer/Francey Group has designed a clever casing in black mat plastic that alludes to the injection-molding process itself: the shapes of computer keys and a disk stand in relief, as if actually slipped into the mold. Going to a decorative extreme, Sava Cvek Associates has designed a lamp that seems more like a sculpture than a functional object. Dauntingly tall (6 ft. 4 in.), their light is a lush, glowing monolith...

Author: /time Magazine | Title: Design: Exploring The New Materialism | 1/5/1987 | See Source »

Gould says the Yankee legend's public didn't want to acknowledge his problems because the nature of the sport was so different at the time. "Sports biography was strictly cardboard heroism. Mantle's near alcoholism was seen as high spirits," he says...

Author: By Joseph C. Tedeschi, | Title: Gould Turns to Sportswriting | 11/22/1986 | See Source »

...rolls of the present brand. He said he couldn't remember the name, but that it cost about 25 cents a roll, or about $42,500 a year. "It's definitely not as nice a quality as you'd find in a store, but it's not cardboard, either," Perish said. CAL STATE...

Author: NO WRITER ATTRIBUTED | Title: CLASS CUTS | 11/15/1986 | See Source »

...before -- the irrepressible outcast (Rosanna Arquette), the sensitive wanderer (Eric Roberts) in search of Miz Right, the good-ole-girl barmaid (Mare Winningham), the ex-jock with itchy trousers (Jim Youngs). In her eye blink of a role, Winningham is a buoyant delight, and Youngs nicely fleshes out his cardboard stud, but everyone else goes under in a sea of mannerisms. Arquette brings a clangorous winsomeness to the sort of cracked-belle character that the young Katharine Hepburn portrayed so majestically in Morning Glory and Alice Adams. Rosanna grates; the film galls. If Nobody's Fool doesn...

Author: /time Magazine | Title: Cinema: Desperately Seeking Something | 11/10/1986 | See Source »

Just a few decades ago, the whodunit formula demanded by both publishers and readers was compact -- and cozy: 180 pages of pure deduction and cardboard characters propped up in a long-gone rural England. Along with a handful of other contemporary crime writers including Dick Francis and Ruth Rendell, P.D. James, 66, has gracefully shattered the rules. In her best and most ambitious tale to date, A Taste for Death -- her ninth mystery novel in 24 years -- James has become a kind of Le Carre of crime, blending the calmer depths of mainstream fiction with the white rapids...

Author: /time Magazine | Title: Books: Crime's Le Carre: A Taste for Death | 10/27/1986 | See Source »

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