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...life operatic and raise the petty boredom of a failing middle class marriage to the level of tragedy. But any potential for opera sinks soon and swiftly: Why shouldn't this marriage fall apart, and who cares anyway? Bernstein offers us no special reason to care, the characters remain cardboard stereotypes and their situation all too familiar banality. Bernstein's inability to musically activate this trite scenario becomes obvious at the climax, when the characters lapse into speech. If husband and wife had sung these commonplaces of insult and apology, it would have been laughable; their situation doesn't warrant...

Author: By Eleni Constantine, | Title: Gourmet Leftovers | 3/16/1977 | See Source »

When an old Passamaquoddy Indian woman in Maine 20 years ago asked her tribal governor to look at some ancient, fragile documents she had in a cardboard box under her bed, she had no idea that they might be important. Yet one of the items in her cache was the 1794 treaty that her ancestors had struck with Massachusetts; in it, they ceded virtually all their land to the state. The find set off what has since become one of the largest Indian land claims in modern U.S. history. The 3,500 Passamaquoddy and Penobscot Indians in what...

Author: /time Magazine | Title: MINORITIES: As Maine Goes... ? | 3/14/1977 | See Source »

...illuminated manuscripts. One of the chief problems posed by the care of modern drawings (since the 19th century) carries the ominous title of "communicable acid degeneration." Apparently, half-way through the 1800's, when people began cutting down trees instead of using old rags to make paper, the cardboard used to back drawings acquired a highly acid quality. And, like similarly-titled habits of illegal amusement, the degeneration spreads from one member of the team to another as the cardboard contaminates the drawings...

Author: By Diana R. Laing, | Title: Obscured By The Fogg | 3/10/1977 | See Source »

...adequate as her fumbling but well-intentioned husband. Dick is the quintessential Segal role, so sometimes he appears to sleepwalk through his unchallenging part. After a while, he follows every line with the same crooked grin and hand gesture. And McMahon helps turn Charley into a complete caricature, a cardboard figure who survives through backbiting, guzzling, and fanny-pinching...

Author: By Hilary B. Klein, | Title: See Spot Steal | 3/1/1977 | See Source »

Whacker was playing the role of mad scientist to the hilt, emitting gales of frightening, nervous laughter. "My p-3 facility is this way," he said, indicating a chicken-wire and cardboard contraption in yet another corner of our dank cell...

Author: By Richard S. Weisman, | Title: One Day At The p-3 Facility... | 2/15/1977 | See Source »

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