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OVER the rivers and down the highways and along countless jungle paths, the population of East Pakistan continues to hemorrhage into India: an endless unorganized flow of refugees with a few tin kettles, cardboard boxes and ragged clothes piled on their heads, carrying their sick children and their old. They pad along barefooted, with the mud sucking at their heels in the wet parts. They are silent, except for a child whimpering now and then, but their faces tell the story. Many are sick and covered with sores. Others have cholera, and when they die by the roadside there...

Author: /time Magazine | Title: World: Pakistan: The Ravaging of Golden Bengal | 8/2/1971 | See Source »

...many as 50 temporary employees of the First Security Bank enter a suite of six rooms and seat themselves at tables topped with small piles of thin strips of paper. They delicately sift and poke through the piles, plucking out individual strips and pasting them on pieces of cardboard. Nobody turns on the air conditioners; the breeze might scatter the strips. The workers labor intently for six hours daily through the heat and tedium, picking and pasting like finalists in a jigsaw puzzle Olympics...

Author: /time Magazine | Title: BANKING: Going to Pieces in Boise | 8/2/1971 | See Source »

Until 1960, when a few artists began to move into its lofts, SoHo was entirely given to light industry -twine manufacturers, nut-and-bolt shops, metal platers, rag wholesalers, lumberyards and dealers in new and used cardboard boxes. The floor rent was low; ten years ago, 3,500 sq. ft. cost $75 a month. But because SoHo was strictly zoned for light industry, nobody could legally live there...

Author: /time Magazine | Title: Art: The Last Studios | 7/5/1971 | See Source »

...general effects of the "A. and T." show is to shift the focus from art as object to art as environmental sensation. The visitor is always being encompassed -by gas lighting or lasers or, in the case of Tony Smith's piece, by several thousand cardboard tetrahedrons and octahedrons supplied by the Container Corp. of America. Taped together, they form an immense, gloomy brown cave pierced by Wagnerian shafts of dim yellow light. With its emphasis on internal space and disregard of volume, it is his best sculpture in recent years...

Author: /time Magazine | Title: Art: Man and Machine | 6/28/1971 | See Source »

...contract to a wealthy Vietnamese trash collector, who then sells it to refugees at inflated prices. In one refugee village, where the average daily wage is less than 200 piasters (73?), a 4-ft. by 8-ft. sheet of scrap plywood costs 800 to 1,000 piasters; a cardboard carton brings 200 piasters. Under the system that has evolved, the refugees pay rich Vietnamese for the privilege of living under cast-off American crates, and the rich Vietnamese pay U.S. authorities for what amounts to the privilege of gouging the refugees...

Author: /time Magazine | Title: The World: Viet Nam: A Cancerous Affliction | 6/7/1971 | See Source »

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