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Lugging their cord-bound cardboard suitcases, the Portuguese workmen trudge across fields toward the unknown. They make up little knots of young and old, converging to form a stream of humanity, silent with uncertainty. The trip turns out to be a nightmare of danger and betrayal, hunger and exploitation. When Antonio reaches Paris at last, Carlos is nowhere to be found. Fellow Portuguese are friendly, but there are no jobs in construction work, let alone carpentry. A pretty nurse he meets tries to be helpful, but her world is too different from that of a poor, illegal immigrant with...

Author: /time Magazine | Title: New Movies: Demographic Disaster | 9/20/1968 | See Source »

Indeed, the most telling and effective blows unleashed against Styron's Nat Turner are those leveled in terms of literature, not history. Novelist John Williams (The Man Who Cried I Am) criticizes Styron for offering too many characterizations based on traditional Southern regional cardboard stock. Mike Thelwell, a teacher at the University of Massachusetts, reasonably suggests that black slaves developed two languages, "one for themselves and another for white masters," and that Styron has captured neither. Thelwell argues that the more public form is the familiar dialect found in the works of Southern-dialect humorists. The other, "the real language...

Author: /time Magazine | Title: Books: Will the Real Nat Turner Please Stand Up? | 7/12/1968 | See Source »

...book The Empty Fortress, Bettelheim tells of Joey, a nine-year-old autistic child who believed that he was run by electrically powered machines, and therefore could not exist unless he plugged himself into imaginary sockets. At night, he could breathe only with the aid of a handmade cardboard "carburetor" hung on his bedpost. Given to maniacally destructive outbursts at first, Joey slowly quieted under Bettelheim's care. From machines, the boy switched his self-identification to eggs and chickens, which at least were living things. Literally returning to infancy during psychotherapy, he put the second fantasy to ultimate...

Author: /time Magazine | Title: Psychiatry: Chicago's Dr. Yes | 7/5/1968 | See Source »

...Lurleen Wallace; that is to say, she was trim, pretty, and hid a faint smile. Gladys Roberts was wearing a styrofoam boater with Wallace stickers pasted on it, a red, white, and blue-striped blazer, a white blouse, a navy blue skirt, stockings, and loafers. She also carried a cardboard painter's bucket...

Author: By D.c. Fitzgerald, | Title: 'next president' | 7/1/1968 | See Source »

...here's what he looks like!" The kids, especially the younger teenagers, would have his picture. A dedicated head on white cardboard emitting all the warmth of a high school graduation photo. Whenever one of our cars was parked for a few moments, it would be plastered with his bumper stickers. "Man, we don't none o' that McCarty. We want Kennedy--Kennedy...

Author: By Gregg J. Kilday, | Title: The Crusade Hits Indiana, Which Is Not The Promised Land | 5/15/1968 | See Source »

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