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...HELEN CARDEN...

Author: /time Magazine | Title: Letters, Oct. 30, 1972 | 10/30/1972 | See Source »

...Carden, as Huck, had to carry virtually the entire first act himself and the weight of that assignment showed. He has some fine turns, like his mimed escape from Pap's cabin, and he possesses a crazy abandon when it comes to attempting just about any kind of physical stunt. But. in an effort to pace himself for the long haul to the intermission, Carden's voice settled for the unexciting middle road. One just doesn't expect to discover such a subdued Huck Finn...

Author: By Gregg J. Kilday, | Title: Story Theatre Huckleberry Finn at the Loeb, this weekend and next | 4/17/1971 | See Source »

Meanwhile, one of her ladies-in-waiting has written to D'Artagnan, "I have been abducted again," and, with that, the plot's whole creaky machinery is set in motion. Timothy Carden is D'Artagnan, the would-be fourth musketeer; to him falls the task of combining many of the disparate elements of the play. As the busiest actor on stage, Carden is called upon to handle battles, brawls, and bedroom scenes and does so winningly with his usual blend of physical energy and ingenuous geniality. He provides the driving force that sets the other three musketeers-Michael Smith...

Author: By Gregg J. Kilday, | Title: Theatre The Three Musketeers at the Loeb | 12/5/1970 | See Source »

...actors- each of whom has three meaty roles- show an amazing amount of varsatility and are usually every bit as brilliant as the plays they are working with. Their names are Marty Ritter. Eric Davin, Sharon Klaif, Tim Carden and John Archibald. In a cast of this quality, it is hard to single any one actor out as being above the rest- but I must say that Carden has the kind of stage presence that makes you want to stand up and salute every time he makes an entrance...

Author: By Frank Rich, | Title: A Mindblow at the Loeb, A Farewell to the Sixties | 11/17/1969 | See Source »

...Carden is absolutely splendid. His close to translucent animation, coupled with the funeral dirge of a backstage organ, would be breathtaking, if it were not actually so deathly peaceful. This, in addition to his other two characterizations earlier in the evening, establishes Carden as one of the most charismatic young acting personalities now about Harvard...

Author: By Gregg J. Kilday, | Title: The Theatregoer Morning, Noon, and Night at the Loeb through November 22 | 11/14/1969 | See Source »

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