Word: care
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Dates: during 1940-1949
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...Santa Monica Boulevard. While the Spreckelses whaled away with enough vigor to leave each other bruised about the head and ears (see cuts), crowds gathered and rooted. But the finish lacked punch. "It was all my fault," cried Lou Dell. "All right, honey," comforted Spreckels, "I don't care ... I know that we shouldn't be doing this. We might be hit by traffic." Explained Spreckels to the world at large: "It was just one of those family arguments...
...houses it deals with, the I.T.U. is encrusted with tradition, paternalism and a certain amount of featherbedding. Almost as soon as he learns the union's rules-such as the one forbidding editors to lay a hand on type -an apprentice learns how relentlessly the I.T.U. will take care of him. In a strike, it will pay up to 60% of his wage. In old age, it will pay him a pension, or put him up at the cozy Printers' Home at Colorado Springs. When he dies, it will fork over $50 to $500 in death benefits...
...Four. Perry Jones (TIME, Aug. 12, 1946), mother hen of California's tennis chicks, was the first of four men who helped mold Jake Kramer into a champion. Fussbudget Perry Jones-who says "I don't care how you hit your backhand . . . how do your pants look?"-liked the kid's looks; he was neat and polite. At Jones's suggestion the Kramer family moved in closer to Los Angeles where many of the good tennis players lived...
...hero, Nevsky. Though the tale is told as simply and as powerfully as an epic, there is much there to disgust and annoy American audiences. The extravagant hero-worship will only increase our lack of understanding of the Russian mind, while little can be found to excuse the vengeful care with which the camera follows the last efforts of the defeated soldiers drowning in an ice flow...
Life with Father (Warner) has been treated by Hollywood with the care and respect that is due the biggest hit in the history of the stage. Warner Bros, bought the play for $500,000 down plus a sizable percentage of the gross receipts. In the filming, Father was a major effort in Technicolor fidelity to an original. Every scene added to the cinema version was developed from the original sketches of Clarence Day, and the picture was made under the supervision of Playwright Howard Lindsay and of Mr. Day's widow...