Word: career
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...either silence or classical-music stations. He grumbles about the "flavor-of-the-month mentality" among music fans. And he shows his age - endearingly - by refusing to own an iPod. His strange argument, contradicted every time he draws up a set list comprising songs from different phases of his career, is that you must listen to songs in the context of the album they appear on. "Just to take bits and pieces of this and that I think is not as enriching an experience," he says. Jarreau is also more than a little blasé about reaching out to fans...
...Unlike Thaksin, Samak has deep connections with the palace; his family served as royal courtiers for generations. And though the former Bangkok governor defined his earlier career as a blustery hard-liner, Samak has so far used restraint against the people occupying his offices. The riot police charged with breaking up the Sept. 2 confrontation, for instance, did not carry guns. While Samak is hardly a touchy-feely politician, he, like his predecessor Thaksin, displays a deft common touch that is often lacking within Thailand's political class. If a snap election were held tomorrow, Samak's PPP would most...
...Hirst's career always threatens to amount to a core of genuine invention surrounded by a vast penumbra of middling merchandise. In all likelihood the huge Sotheby's sale will be another milestone in his financial victory march. But it may also be a terminus, a house-cleaning by a man overtaken by his own success. Hirst has been thinking out loud lately about finding some new directions. For one thing, he says he's going to quit doing the spin and butterfly paintings, and slow down the production of animals in vitrines. He's said this before, but this...
...know it, Hirst has already produced his self-portrait. It's The Golden Calf, a king of the artworld hill, worshipped for being golden, and burdened by it too. Maybe after it's sold and gone Hirst really will be able to move on to another stage of his career...
Baby Mama Directed by Michael McCullers; rated PG 13; out Sept. 9 Tina Fey's put-upon charm bounces so winningly off Amy Poehler's antic humor that this tale of a career woman and the surrogate she engages becomes less chick flick and more buddy movie with babies. Plus, the alternate ending is way cuter than the original...