Word: careers
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Dates: during 1930-1939
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...Colossal is the word for Prentiss Ingraham's (1843-1904) prolificity. His career supplied him with material aplenty. A soldier of fortune, he fought in the Civil War, under Juarez in Mexico, in the Austro-Prussian War, in Crete, in Africa, in Cuba. He wrote more than 600 novels, twelve plays-''without distinction [but] . . . written in a surprisingly correct and easy fashion and . . . wholesome in their general teachings." Napoleon's writings had a more disturbing effect...
...Castles' career was a preview of subsequent Hollywood story patterns. They literally became famous overnight. It was a night in March 1911, in Paris. There & then, at the Café de Paris, they launched the dancing era by performing to the extraordinary sounds of Too Much Mustard. Within the next five years, the Castles became by far the most celebrated dancing personages of their era. They popularized the Maxixe, the One-Step, the Castle Walk. They opened a chain of four ballrooms and made about $15,000 a week. When Irene Castle bobbed her hair, a million other...
...National Academy of Design, where he went for two-and-a-half years when young, purely to stall off a career, Artist Steig got all his fun playing football in the back yard. The dead hand of the academy certainly guided none of his carving. Longest job was the woeful Guitarist-two weeks; shortest was the Sequinned Lady-two days. School Girl is a bit African around the eyes, but Man at a Gathering is straight Steig. In general he wanted to make figures that would not "seem out of place in the cabbage fumes of apartment houses." Last week...
...ways & means of this extraordinary group are best exemplified by Eddie Bernays, a swart, jittery nephew of Sigmund Freud (a fact of which he is inordinately proud). He began his career as a newshawk, then as pressagent for Enrico Caruso. Now he likes to consider himself a "priest to Big Business" and he ministers only at a high retainer. Procter & Gamble is said to pay him $25,000 a year...
...Lafayette, Ind. (where he was an art-classmate at Purdue of George Ade and John T. McCutcheon), Bruce Rogers decided on book-designing instead of painting when he saw the first books of William Morris' famed Kelmscott Press. In the '90s, when Bruce Rogers started his career, U. S. books were as dingily printed as they were apt to be turgidly written. They provided an aesthetic sensation for readers not unlike that of walking along a muddy road in the dark. Bruce Rogers' imaginative, lucid, unaffected craftsmanship let air and light into book pages. Other designers have...