Word: careers
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Dates: during 1930-1939
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...characteristic of excellent plays, the story is to be experienced rather than understood. Suffice it to say that a young Italian boy has a choice between music and prize-fighting as a career; he chooses the latter and regrets it. Luther Adler as the fighter is excellent, and Francis Farmer as his embittered Sweetheart gives a fine performance though she lacks dramatic finesse at times. Perhaps the best performance is presented by Morris Carnowsky as the fighter's father. Sanford Meisner is perfect as the gangster manager, and high honors are also due to Roman Bohnen as Miss farmer...
Defining the middle class as "self sustaining and self employing," Lahey warned the gathering to get over the idea of making any money and suggested that for those who had a little idealism, propaganda or legal aid for the cause of labor would be a "big career but you would never get rich...
...aviation. That aviation's 60,000 jobs may be doubled in the next five years is the encouraging outlook of 36-year-old Employment Specialist Carl Norcross Ph.D., of the New York State Department of Education, in a survey of U. S. aviation as a career* published last week. Less encouraging to every Tom, Dick and Corrigan hoping to zoom into aviation is Dr. Norcross' warning that only the well-schooled, physically and mentally superior applicant stands a chance...
Brought up in a musical family (his mother was a piano teacher), Sir Henry started his career at the age of ten as deputy organist in a London church. Later he gave recitals up & down the country, conducted opera, spent a period as a singing teacher. In the 44 years since the Promenade Concerts began he has done more conducting than any living man and has probably trained more orchestral players. Out of season he finds time to do wood carvings and carpentry and produce professional-looking landscape paintings. When the concert season is on he becomes a passion...
They have a young actor and actress die backstage on the first night of the Alexandria's career, and thereafter these two -along with another dead actor-appear as ghosts, whisper from the wings, declaim before the footlights, bob up in boxes, feverishly exhorting the theatre -their theatre-not to die. In Act I this disembodied trio communes with Shakespeare, in Act II with...