Word: carew
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Dates: during 1920-1929
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...Joseph Schildkraut. Neil Hamilton, Lou Tellegen. Arthur Edmund Carew, and the wonderful Russian actor, Ivan Lebedeff, are some of my artists. I have placed three with D. W. Griffith and I am Rex Ingram's agent in America...
...Taylor, George Wither, Frances Quarles, Henry Vaughan, Samuel Daniel, Michael Drayton, John Davies John Taylor, the Water-Poet, Giles Fletcher the Younger, Sir William Davenant, James Harrington, Richard Crashaw, Sir John Denham, Francis Hubert, Robert Anton, Thomas Nabbes, George Buck, John Hepwith, Samuel Rewlands, Nicholas Hooker, Alex Rosse, Thomas Carew, Robert Stapleton, Joseph Hall, Richard Lovelace, Ben Jonson, George Chapman, Richard Flecknoe, and Nicholas Breton...
...life in Africa. Sir Patrick has dubbed his "comedy" "The River. The river in question happens to be the Mungana, and is, of course, located somewhere in the bejungled interior of that very dark continent, on one is quite sure where. Hence we have a mystery for John Carew, the leading man, to solve...
...Carew, impersonated by Lawrence Cecil, his servant William, and a newly arrived chap named Walford set out from the Coast to find the Mungana, accompanied by a Portuguese slave-driver and his flunkies. They arrive at their destination without further ado and find to their delight the diamond fields that had been rumored to exist in the locality. However, complications of a serious nature, arising from the perfidy of the Portuguese, develop when they wish to start back for the coast. In addition the Eternal Triangle is unpleasantly revealed in the thick of the woods, just to make the action...
...Cecil's performance as Carew is somewhat imperfect; due no doubt to over-acting at precarious moments. Mr. Clive as William, although not an important role, is as usual above reproach, Alan Mowbray as Anthony Walford, is splendid, and Terrence Neill as the epigrammatic Colonial Governor is quite amusing. Miss Standing as the third and most important member of the triangle is quite good. Mr. Carnovsky as the arch-villain can have no higher compliment paid his art than to say that this member of the audience, for one, cameont of the theatre, reviling and blaspheming his Machiavellian character...