Word: careys
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Dates: during 1950-1959
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Outplayed until the third period, the Rineharts exploded, as Tom Walsh of Kirkland scored at 4.55 on a pass from House-mate Walt Gannon. Later, with less than two minutes left in the game, Ed Carey of Leverett pushed the puck by Wintergreen goalie Paul Jameson of Adams in a mix-up in front of the goal to tie up the game...
Next morning, joking and relaxed, they met in the Roney Plaza's rose-carpeted Ocean Lounge. Reuther heard C.I.O. Secretary Carey reading aloud a Miami Herald report on the "labor bosses," and exclaimed smilingly: "I resent that. Why don't they say 'Trade Union Statesmen Gather in Miami'?" Meany. a cigar clamped in his teeth, sat at the piano and ripped off jazz melodies. The C.I.O.'s Carey put on a shirt printed with the labels of all A.F.L. unions. By noon the last comma was in place, and the full committee of 20 A.F.L...
...Wainwright, Van Fleet, and in the scene depicting the first Army-Notre Dame football game of 1913, a fierce young Notre Dame end, Knute Rockne. There is also a glimpse of another of Maher's favorite lads: a blond, pink-faced boy named-Dwight Eisenhower (played by Harry Carey Jr.). ^ There is plenty of competent acting in Gray Line, by such regulars as Power, O'Hara, Donald Crisp and Ward Bond, and a few laughs, too. Mostly, though, there are too many attempts to drive the Point home with a mixture of weeping and corn...
...Captain Carey McIntosh, left halfback, and senior Mary Weiss, right inside, made the first team. Weiss was Harvard's high scorer during the season with nine goals. On the second team were junior Stacey Holmes, center halfback, and his brother, sophomore Hank Holmes left wing. Senior Maurice Tore received an honorable mention. Tore played an inside...
Drama, Comedy. In his first straight dramatic role, TV Comic Jackie Gleason gave a taut and convincing portrait of an unscrupulous politician on Studio One, in a play by Carey Wilbur called Short Cut. Gleason not only looked the part, with his suety face and alderman's stomach, but for most of the play he put aside the comic's tools of obviousness and loudness in order to make his character dramatic and believable...