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...Monahan has given Scorsese and the actors plenty to work with. Frank, played by Nicholson with a George Carlin goatee and crusty demeanor, is a juicy creation, a mobster who revels in his connoisseurship of executive violence. ("One of us had to die," he says of a gangland face-off. "With me it's usually the other one.") He has words of wisdom for a thug who says his mother is near death. "So we all are," Frank observes. "Act accordingly." In Billy he sees a bright, focused young man with ambitions, though Frank misreads them. "You wanna...

Author: /time Magazine | Title: Faithful Departed | 10/1/2006 | See Source »

...that wraps all the familiar bits and much previously unheard material in a handsome 80-page book. It's a must for any advanced Bruceophile. And two years ago, Comedy Central chose the 100 all-time greatest stand-up comedians. Lenny was #3, trailing only Richard Pryor and George Carlin, two social critics who (as Carlin notes) wouldn't have had the careers they did if Lenny hadn't made unfettered comedy possible...

Author: /time Magazine | Title: A Tribute to Lenny Bruce | 8/10/2006 | See Source »

...satire he aimed up, at the powerful, not down, at the pitiful. He often made himself and his weaknesses the subject of his comedy. His material wasn't mean. To compare him to two later comics, one good, one awful, Lenny didn't play the angry old man, like Carlin, fuming at everybody's idiocy, or the stud-bully, like Andrew Dice Clay, spuming a bully's polluted derision. In the 1959 interview, Krassner asked, "Do you think there's any sadism in your comedy?", and Lenny recoiled. "What a horrible thought. If there is any sadism in my work...

Author: /time Magazine | Title: A Tribute to Lenny Bruce | 8/10/2006 | See Source »

...teaching fellow in the VES department, Carlin E. Wing ’02, said, “This exhibition works well because it’s in conversation with the architecture rather than trying to talk around...

Author: By Richard S. Beck, CONTRIBUTING WRITER | Title: Coconuts, Lights Adorn New Exhibit | 3/17/2006 | See Source »

...color page of Little Nemo in Slumberland. Here was a popular art at its onset and apogee: not a primitive Lascaux cave painting but a Sunday- supplement Hieronymus Bosch--a glorious otherworld of dreamscapes as phantasmagoric as they were funny. "He created a vocabulary for artistic creation in comics," Carlin says of McCay, "showing how they could achieve extraordinary, avant-garde things without undermining their popular appeal...

Author: /time Magazine | Title: Peanuts in the Gallery | 11/28/2005 | See Source »

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