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Well, no. The gremlins really are an army of latex-skinned puppets devised by Special Effects Maven Chris Walas (Piranha, Raiders of the Lost Ark) and assembled for a bargain-basement $1.3 million. (By contrast, Carlo Rambaldi's E.T. creature alone cost $1.5 million.) The greenish-brown monsters, standing 23 in. tall with their 10-in. bat ears, were controlled by hands, cables, rods, radio signals and a simple but effective method that Walas describes as "throw-'em-across-the-room puppetry." The most complicated gremlin had 60 cables operated by a dozen technicians standing...

Author: /time Magazine | Title: Cinema: Creature Comforts and Discomforts | 6/4/1984 | See Source »

Meanwhile, Maazel last week was named music consultant to the Pittsburgh Symphony. But wait. Hasn't André Previn been music director there for the past eight years? Yes, but three weeks ago, Previn, 55, accepted an offer from the Los Angeles Philharmonic to succeed Carlo Maria Giulini as its music director beginning in January 1986. Previn's departure from Pittsburgh was sealed when he lost an ugly power struggle with Managing Director Marshall Turkin over the orchestra's artistic direction, a rupture that Previn declines to confirm. "To lose a job is one thing...

Author: /time Magazine | Title: Music: Round and Round They Go | 5/28/1984 | See Source »

...both of them are lively but well-mannered variations of traditional Russian models. That he wanted something bolder this time became apparent when he chose as co-choreographer Peter Anastos, best known as the former guiding spirit (and as Olga Tchikaboumskaya, prima ballerina) of Les Ballets Trockadero de Monte Carlo, an all-male travesty troupe. In such parodies as Go for Barocco (Balanchine) and Yes, Virginia, Another Piano Ballet (Robbins), Anastos has poked amiable, witty fun at the conventions of classical ballet...

Author: /time Magazine | Title: Dance: Cinderella Goes Modern | 5/7/1984 | See Source »

...lifetime. And now in Aurora, filming in Italy, Edoardo Ponti, 11, is making his acting debut opposite his magnificent mama Sophia Loren, 49. Naturally, the lad plays Loren's offspring in the movie, which-to keep things in the family-is being produced by his father Carlo Ponti, 70. How did the little cherub do, Mama? "He looks like an angel, but he's really like a devil," says Edoardo's glamorous costar. "Already he criticizes my acting." Meanwhile, the Pontis are working on plans for another family project: a new home on Williams Island...

Author: /time Magazine | Title: People: Apr. 9, 1984 | 4/9/1984 | See Source »

Once again, one is confronted by that angelically ranging mind, that steely eye and that infinitely skilled hand. And though the short catalogue, by Leonardo Experts Carlo Pedretti and Kenneth Keele, can do no more than touch on the scientific and aesthetic ramifications of Leonardo's work as anatomist, it is still a useful introduction...

Author: /time Magazine | Title: Art: Beyond the Skin's Frontier | 2/27/1984 | See Source »

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