Word: carlos
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Dates: during 1950-1959
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Back in the Mussolini era, Carlo Corbisiero, part-time barber, brawler and bully boy of the village of Marzano di Nola, near Naples, was pretty proud of his nickname-"Crackshot." For years the local carabinieri had tried to nail him for bootlegging, petty theft and antiFascism, without success. Then one day in 1934, word reached the village that Crackshot Carlo was wanted on a highway robbery and murder rap. Carlo left his dark-eyed mistress and their two illegitimate children behind and took to the hills. Two weeks later he decided to give himself up for trial. "I am innocent...
...Third Man. A year later one of the three holdup men who had gone to jail with Carlo confessed to the prison chaplain that Carlo had been framed. By doing this, one of the three had got a lighter sentence. "Why haven't you said so before?" asked the chaplain. "I was afraid I would be shot," the man said. Under the seal of the confessional, the priest could not repeat the information, but when the man died the priest wrote to Rome about it. Six months later an official from the public prosecutor's called...
...central characters are a couple of Abbott & Costello-like American sailors (Walter Chiari and Carlo Campanini) who are knocked out by thugs while sightseeing in the Colosseum and dream that they are having all sorts of misadventures in ancient Rome. Among the picture's low-comedy highlights: the voluptuous Empress Poppea (Silvana Pampanini) taking a milk bath that out-DeMilles De-Mille; the sailors engaging in a pocket-billiard contest with Nero (Gino Cervi); gladiators waging a savage football game in the Colosseum with a Grecian urn as a pigskin; a Roman orgy with jitterbugging; a frenzied chariot race...
...husband's affection for his pet cat. Pride, directed by Claude (Devil in the Flesh) Autant-Lara, is a mordant study of an impoverished, aristocratic mother and daughter (well played by Franchise Rosay and Michele Morgan). The best episode is Gluttony, a Rabelaisian sketch written and directed by Carlo Rim, about a handsome doctor, who seeks shelter during a storm in the home of a peasant. There he is taken with the peasant's tasty cheese as well as with his pretty wife. The ending, in which he chooses between the two, is typically French...
Still smarting from the critical response of his native Italy to his Medium and Consul in the past three seasons, Composer Gian-Carlo Menotti tried again last week; he staged his little Christmas TV opera, Amahl and the Night Visitors, in Florence's Pergola Theater. Standing in the wings, Menotti felt reasonably confident this time: Leopold Stokowski conducted with a sure hand, a dressy international audience admired the handsome settings, stopped the show after a flashing dance sequence, and cheered up ten curtain calls for the cast at the end. Even the stage electrician admitted he liked...