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Back to conduct, after an absence of 34 years, was 78-year-old Pierre Monteux, who will head the Met's French wing (Faust, Pélleas et Mèlisande, Carmen) this season. Nothing about the new production startled him: "Everyone knows all of it, no? The music, it is très aimable. There can be no surprises...

Author: /time Magazine | Title: Music: Faust First | 11/23/1953 | See Source »

...world was as filled with color as a forest in autumn. NBC showed a satisfying colorcast of the opera Carmen to hundreds of invited guests in Manhattan, and last week followed it with the first closed-circuit broadcast from New York to Hollywood, where a group of moviemen were unhappily impressed by the vivid picture and surprisingly fine texture of color TV. Dragnet began shooting its films in color, and Bob Hope issued a casting call for the "most colorgenic girls in America" to appear on his first color TV show. Industrial designers Lippincott & Margulies moved into...

Author: /time Magazine | Title: Radio: Still Driving a Model T? | 11/16/1953 | See Source »

Opera Theater (Sat. 5:30 p.m., NBC). A one-hour colorcast of Carmen shown in "high-definition" black & white on standard sets...

Author: /time Magazine | Title: RADIO: Program Preview, Nov. 2, 1953 | 11/2/1953 | See Source »

...wrote music for revues at the Teatro Lirico, and in 1932 began croaking his own songs in an immensely popular radio program. Lara became a kind of musical version of Rudolph Valentino. Touring neighboring republics, he was mobbed by women in the streets. After quarreling with his actress-wife, Carmen Zozoya, Lara met Movie Star María Felix just before a party in honor of her first big picture. "Please come, Señor Lara," cooed María. "But I warn you that we have no piano. Just a guitar." Next day he sent her a snow-white...

Author: /time Magazine | Title: Music: Lovers' Lamenter | 11/2/1953 | See Source »

Like its rivals, from Milan to Manhattan, the San Francisco Opera makes most of the popular stops on the grand-opera highway, e.g., Carmen, Aïda, La Bohème. But San Francisco takes peculiar pride in traveling the byways as well. For its opener last week, San Francisco characteristically chose a seldom-heard version of the Faust legend, Arrigo Boito's Mefistofele, instead of Gounod's war horse, Faust...

Author: /time Magazine | Title: Music: Merola's Requiem | 9/28/1953 | See Source »

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