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Word: carmens (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Carmen D'Avino, 45, whose Pianissimo has been nominated for an Academy Award this year as best short subject, is a painter who learned cinematography as a photographer-historian during World War II. His films are painstaking creations in color, shot frame by frame, with meticulous painting done between shots. Pianissimo is about a player piano. The keys are all white. It starts to play. As each key hits a note it acquires a color as well, until the whole keyboard looks like a Mediterranean awning. D'Avino goes on coloring everything in sight, including the punched...

Author: /time Magazine | Title: Cinema: In the Year of Our Ford | 4/3/1964 | See Source »

Ralph B. Gates, director of Buildings and Grounds, said that the accident suffered by Radcliffe freshman Carmen E. Irizarry-Ramirez, while she was taking her fire rope test in the Radcliffe gymnasium during Orientation Week this year, had "some bearing" on the decision to replace the ropes...

Author: NO WRITER ATTRIBUTED | Title: Progress Snips Radcliffe Fire Ropes | 2/4/1964 | See Source »

...CHILDREN'S THEATER (NBC, 3-4 p.m.). Orchestral music is explained by means of stories and illustrations. The program includes Prokofiev's Cinderella suite and selections from Carmen. Color...

Author: /time Magazine | Title: Television: Dec. 13, 1963 | 12/13/1963 | See Source »

...Died. Carmen Amaya, 50, Spanish flamenco dancer, a volcanic Catalan gypsy whose machine-gun castanets, stomps, swirls and fiercely elegant cadenzas won her star billing on both sides of the Atlantic in the 1930s and '40s, and earned for her up to $14,000 a week, which she largely lavished upon Romany schools and charities, leading Spanish gypsies to call her "our good mother"; of chronic kidney disease; in Bagur, Spain...

Author: /time Magazine | Title: Milestones: Nov. 29, 1963 | 11/29/1963 | See Source »

...piece about slavery, the longing dreams of a chain gang led by McKayle served as a vehicle for Carmen de Lavallade and her exquisite dances as wife, sweetheart, and mother. But another vehicle might have been chosen which did not end in the melodrama of a slave's murder. In this episode a dancer expresses impotent rage--a very profound emotion-- by running downstage, screwing up his face, and making a punching motion across his body. McKayle should be commended for trying to treat serious themes and not resting content, as some masters do, to play prima donna...

Author: By Peggy VON Szeliski., | Title: Company and McKayle | 11/20/1963 | See Source »

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