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Every summer since 1965, when he helped found it, Taylor has made sure that the truck-borne bandstands of Jazzmobile have brought performers like Duke Ellington, Carmen McRae, Dizzy Gillespie and Taylor himself to the ghettos of New York and fifteen other U.S. cities. As Jazzmoblie's fundraising, talent-coordinating president, Taylor also gives two lecture-concerts a week in New York City's public schools and conducts a piano class in a workshop program at Harlem's Intermediate School 201 on Saturday mornings...

Author: /time Magazine | Title: Music: O.K., Billy! | 8/6/1973 | See Source »

Police are still investigating many aspects of the case, and they have received 100 calls about missing girls in other areas. (The writings found in Schaefer's trunk also speak of the "executions" by hanging of girls named Carmen, Nina and Marguerita in an un specified Latin American country.) Prosecutors talk of making connections to more than 20 murders, but last week they filed their first formal charges: first degree murder in the deaths of Susan Place and Georgia Jessup. Schaefer, who will not complete his present jail term until mid-June, petitioned success fully for a series...

Author: /time Magazine | Title: CRIME: Bluebeard on the Beach | 5/28/1973 | See Source »

...Budapest opera 40 years ago. This week he brings the Chicago into New York for two sold-out concerts at Carnegie Hall, then on to Texas, Arizona, New Mexico and California. In July he will be back in the pit at Covent Garden conducting Bizet's Carmen. He will stay on in London to record Mozart's Cost fan tutte and Puccini's La Boheme; then after a month's vacation he will return to Chicago for concerts, and begin recording more Beethoven symphonies. On it goes. His engagements already run into 1977. Perhaps then...

Author: /time Magazine | Title: Solti and Chicago: A Musical Romance | 5/7/1973 | See Source »

HAYNES CIVIC AUDITORIUM. Metropolitan Opera of New York. Carmen, Tosca, and II Trovatore presented April 23, 23, 25, at 8:00 p.m. Tickets: $17.50-$3.50; call...

Author: NO WRITER ATTRIBUTED | Title: Classics | 4/19/1973 | See Source »

Though Ailey toyed with Hollywood long enough to get a dancing part in 20th Century-Fox's Carmen Jones (1955), he soon was off to New York to study modern dance with Martha Graham and Doris Humphrey, ballet with Karel Shook. Since the rise of his own company, he has continued to freelance extensively as a choreographer. His iconoclastic Feast of Ashes, created for the Joffrey Ballet in 1962, signaled a new fusion of classic ballet and modern dance styles, or the advent of what can only be called the Ailey style. "What I like," he says...

Author: /time Magazine | Title: Music: The Ailey Style | 2/26/1973 | See Source »

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