Word: carmichaelã
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Jerista and Thompson at times were guilty of overacting in the first act during their fight for prominence. Carmichael??s presence was a welcome one in her ability to express physically what the others seemed to have difficulty with on a verbal level. Firestone’s Joan was tastefully well done—the entire theatre came to a standstill as she described the details of an unexpected childbirth and subsequent death with an eerie calm...
...though Stopover has finished its run in the Ex, Carmichael??s mark on Harvard theater is surely here to stay even as the set comes down...
...even with this collaborative effort, the script was undeniably Carmichael??s, reminiscent of her The Impossibles, performed at the Playwright’s Festival in the Adams Pool last semester. As a writer, she tends to employ characters with an academic background who analyze their relationships in depth and include esoteric facts in conversation. Much like Carmichael herself—who is known for reciting full-length poems in everyday life—the characters offer insights into art history, sociology and literature as they go about their vacation...
Stopover, the newest project of writer, director, actor, cartoonist, sculptor and jack-of-all-trades Emily J. Carmichael ’03, opens this weekend in the Loeb Experimental Theater (Ex). Carmichael??s past credits include The Puppet Macbeth in the Adams House Kronauer Space...
...River is limited, so perhaps pressure is exerted within the families. James Carmichael ’01, whose parents also attended Harvard, surmised that his sister felt “implicit pressure” from the three family members; she was recently admitted to the Class of 2004. Carmichael??s parents were probably frustrated, he explains, that his sister might apply to a different college solely for the sake of rebellion. “I believe it got a little tight a couple of times,” he admits. Pat McKenna ’01 observed similar...
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