Word: carnalism
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NICHOLS has never attempted a movie like The Fortune, and it spoils a beautiful record. The Graduate, Catch 22, and Carnal Knowledge were based on real and depressing subject matter from which Nichols shaped a lot of very funny scenes. The relationship of humor to unhappy truth was accurate. If he conceived The Fortune as homage/satire about the vaudeville era, he forgot what Mel Brooks proved in Young Frankenstein: that the best way to poke fun at past cinematic formulas is still to take them seriously. He gave us buffoonery but it was a joke we didn't catch...
...Village Voice in its earliest days. His cartoons themselves have moved through the media--they now appear in newspapers and magazines throughout the country [including The Crimson]. And he has moved back and forth from cartooning, to playwriting ["Little Murders"; "The White House Murder Case"], to screenplay ["Carnal Knowledge"]. He keeps on cartooning however, and he was in Boston several weeks ago, following around his new book "Feiffer on Nixon...
Feiffer: In writing "Carnal Knowledge," I was doing what is most interesting to me. In the fight scene between Bobby and Jonathan, I wanted to get at something I had never gotten into in the theater (I wrote it originally as a play) in a fight scene. When people have stage confrontations, it is usually the theme for the play; you know, the first time they are telling the truth. But virtually every time I had a fight, it's been with incredible heat and passion over telling nitpicking things, but not what the fight is really about. Our lives...
...fool can tell you that politics and art won't mix--and will substantiate his claim by pointing to precisely those instances in which they don't mix. There is no shortage of examples to finger--movies like Carnal Knowledge or Charlie Chaplin's The Great Dictator, which have thrown both concerns together on the set, only to have them slug it out until one of them stands triumphant with its foot in the other's mouth...
...like skunks," Nicholson admits. He is referring to women who are alluring but unreachable-"ball busters," as his character in Carnal Knowledge called them. Although Nicholson disclaims specific identification with the hung-up hero of that film, an occasional recreation of his and Warren Beatty's is riding around town, skunk spotting on the street. "I know some of my friends think I'm self-destructive or masochistic," he says. "I know damn well what lies in store, but I choose to go after it anyway. I'm courageous." Says Brother-in-Law Shorty: "I think Jack...