Word: carnally
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...real estate market, the companies slashing expense accounts - but the city she saw was an entirely different spectacle. As she settled down in a "gaijin house" in central Tokyo and looked for work in some of Roppongi district's hostess clubs, Lucie, 21, saw a city that was almost carnal in its appetites and bacchanalian in its spirit. She would never have guessed this was a city in decline, capital of an empire that had supposedly seen better days. Instead the atmosphere, or kibun, on the streets and in the bars was a sort of greedy get-it-while...
...story, a man by the name of Saxo the Grammarian. It was basically the same story, but with no depth, and the way the story ends is different. But Saxo’s story is remarkably the same in the way Horatio describes it, “Carnal, bloody and unnatural acts. Casual slaughters, accidental judgments.” I was reading Saxo’s version and in it, Hamlet had a half brother. I thought it was quite a coincidence, and thought about making Horatio into Hamlet’s half-brother. Suddenly, Horatio’s character...
...years back and decided to write an album of her own material. The result is "Red Dirt Girl," a surprisingly raw and confessional collection in which Harris chronicles a disastrous, passionate relationship, the telling of which borders on religious catharsis. Harris' pristine image gets a gritty makeover with the carnal intimations of "I Don't Wanna Talk About It Now," and elsewhere her self-revelation can be almost uncomfortably direct...
...perfected in his epic 1983 video Thriller: a single dancer out front, with a phalanx of dancers in the rear echoing his steps. Still, Landon, Henson and Robinson have all conjured up moments of vibrant originality. Henson's work tends to be punchy and blunt, Landon's playfully carnal, Robinson's fluidly urban. In the video (You Drive Me) Crazy, Henson has a captivating phrase in which Spears rotates on a chair, her legs splayed, projecting both sensuality and repose. Fatima's choreography for Aaliyah's Try Again ends with the R.-and-B. diva dancing with a black cane...
...misplaced flower already begun to wilt, she struggles to maintain her own illusions, making it difficult for the audience to feel for her misfortunes. Likewise, Appel's Stanley rises to moments of animal force, but these pass as quickly as they come; Appel flits between an appealing, carnal alternative to the decaying Southern gentry of the Belle Reve and a brutish cartoon of an abusive husband. Of the three main characters, the most appealing is Nichols's Stella...