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DIED. Joseph E. Levine, 81, flamboyant movie mogul (The Graduate, The Producers, Carnal Knowledge); in Greenwich, Conn. Levine got his start in the 1950s by distributing films, later financing Federico Fellini's 8 1/2. Levine was involved as producer, distributor or backer in 500 films...

Author: /time Magazine | Title: Milestones: Aug. 10, 1987 | 8/10/1987 | See Source »

...from the ceiling of his New Orleans hotel room. The two performers might seem unlikely company -- the star of 9 1/2 Weeks and the prima donna of the Cosby kids -- but their exertions were no more extreme than the acrobatics in many an R- | rated teen farce, and the carnal violence was a lot less toxic than the damage Freddy or Jason or any other horror-show serial killer wreaks in an eyewink. Further, the intent of Director Alan Parker was serious and free of titillation. The board's game was a sick joke at the expense of ambitious filmmakers...

Author: /time Magazine | Title: Cinema: Lucifer In Disguise with Diamonds ANGEL HEART | 3/9/1987 | See Source »

Adso, still the adolescent in flux and in heat, is a bit more complex, and Slater has much more to work with. A mystically erotic scene of Adso discovering the carnal truth with a young peasant girl (Valentina Vargas) might be the best reason to see this movie...

Author: By Elizabeth L. Wurtzel, | Title: A Haunting Rose | 10/3/1986 | See Source »

...Taiping Rebellion, a nominally Christian uprising that lasted 14 years and resulted in some 20 million deaths. Based on a reputation for valor, acquired by stumbling into dangerous places at well-publicized times, the intrepid Flashman becomes Britain's semiofficial envoy to the revolutionaries. His escapades, both military and carnal, bring verve and wit to a carefully footnoted tale. Young Tom Brown was certainly more the gentleman, but he could not possibly have grown up to be so much...

Author: /time Magazine | Title: Bookends: Jun. 2, 1986 | 6/2/1986 | See Source »

...truth--and this movie stretches that notion to its breaking point--is not necessarily an excuse for movie-making. A tough movie about a destructive relationship is potentially good fodder for Hollywood, especially now that film-makers are given unprecedented freedom to portray life and love in all its carnal beauty and horror...

Author: By Michael W. Hirschorn, | Title: Poor Form | 3/21/1986 | See Source »

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