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...ancestor of Trio, Flesh and Fantasy is a splice of three separate stories. Trio, however, is a trilogy, Flesh and Fantasy an anthology. The only things these three tales have in common are a supernatural fizz and heavy-handed direction. Director Julien Duvivier (Un Carnet du Bal, Tales of Manhattan) pioneered the splicing art, but he keeps fantasy firmly earthbound in this 1943 effort. Granted, the writing is usually abominable ("Remember the boatman's song at twilight at Amalfi, the scent of orange blossoms on the road to Damascus," etc., etc.), but the absence of a light touch accentuates triteness...

Author: By R. E. Oldenburg, | Title: Flesh and Fantasy | 5/14/1953 | See Source »

These three episodes comprise Flesh and Fantasy. A dash of the supernatural, mild surprise endings and Director Julien Duvivier (Un Carnet du Bal, Tales of Manhattan) are about all that they have in common. But polish and humor make them fairly entertaining...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 1, 1943 | 11/1/1943 | See Source »

...Carnet Du Bal," by Julian Duvivier will be presented by the French Talking Films Committee on Thursday and Friday, January 12 and 13 at 1.45 and 4:15 o'clock in the afternoon, and at 6:45 and 9 o'clock in the evening...

Author: NO WRITER ATTRIBUTED | Title: FRENCH FILM TO BE SHOWN | 1/10/1939 | See Source »

Marie Bell, Raimu, Fernandel, Pierre Blanchar and Harry Baur, the greatest cinema actors in France, names that will pack any theatre in Paris, all came to the Fine Arts yesterday in "Un Carnet de Bal," a picture worth seeing if only as an anthology of all that the French screen has to offer. Episodic, rather in the manner of "If I Had A Million," the picture takes a world-weary blonde (Mlle. Bell) in search of ten boys she had known in her youth. She had gone to her first ball, a card dance, when she was sixteen, and each...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 4/28/1938 | See Source »

...doubtful if "Un Carnet de Bal" deserved the Venice award as the greatest picture of 1937. It is far from great; although they may strike American audiences as novel, the trick plot and twisted cynicism are old stuff on the European screen. But Julien Duvivier, master of French directors--he has made better films than this--has given "Un Carnet" the touch of the artist, which combines with competent acting and force photography to make the picture thoroughly worthwhile...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 4/28/1938 | See Source »

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