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With a report on twist fashions at the Peppermint Lounge and another on Small's Paradise in Harlem, the paper launched a series of features on Beautiful People at play. The late Carol Bjorkman, a onetime Saks buyer and jet-setter, began a knowing gossip column called "Carol Says," then moved on to interviews with the likes of Vice President Johnson and a new quarterback named Joe Namath. Reviews, always glib and sometimes perceptive, criticized books, plays, movies, TV shows, restaurants and (lately) Sunday church services. "Eye" and "Eye Too," gossip columns on the snide side, became must reading...

Author: /time Magazine | Title: The Press: Out on a Limb with the Midi | 9/14/1970 | See Source »

PRECISELY. The real Elliott Gould was elsewhere that evening, but the two anxious urbanites were going through just the sort of encounter that Gould has faced in the burst of films ?from Bob & Carol & Ted & Alice to this summer's Getting Straight and Move?that have raised him to stardom in less than a year. There were even elements of this mood in M*A*S*H, the battlefront comedy that has become the most talked-about movie of 1970. Gould always seems to be caught up in social ?and sexual?tension. He embodies an inner need...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

When Gould got ready for the orgy in Bob & Carol by dousing himself with deodorant, gargling and climbing into bed in his undershorts and executive-length socks, millions of sexually unliberated men and women not only laughed at his unease but were moved and comforted by it. Audiences could share vicariously the exhilaration of his dream orgies in Move, and at the same time empathize with the vague big-city terrors that made him paranoid and the marital pressures that made him impotent. They recognized the death's-head hilarity of M*A*S*H and the rebellious comedy...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

...really should care is Gould. His recent string of movies (MASH, Bob & Carol & Ted & Alice, Getting Straight) are all doing booming business, but M-A-S-H is still his only first-rate film. He would do well to study the sagging box-office strength of Marlon Brando and Peter Sellers after too many years of carrying bad movies on good shoulders...

Author: /time Magazine | Title: Cinema: Granny Knot | 8/24/1970 | See Source »

...busy year started with queues still forming for Bob & Carol & Ted & Alice. Then came M*A*S*H, the most talked-about movie of 1970. Getting Straight and Move were disappointing, but that did not slow him down. I Love My Wife is already in the can, and three weeks ago he finished filming Little Murders. To cap it all, Elliott Gould, 31, will star in the first English-speaking film (The Touch) by the great Swedish director Ingmar Bergman. It took only one film-Getting Straight -for Bergman to decide on the American actor. "I fell for him immediately...

Author: /time Magazine | Title: People: Aug. 17, 1970 | 8/17/1970 | See Source »

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