Word: carolled
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Dates: during 1960-1969
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Cheri Theatre 1-Natalic Wood and Robert Culp in Bob and Carol and Ted and Alice. Dalton St. near Prudential Center, opposite the Sheraton Boston Hotel...
...film's every turn and nuance is heightened, given immediate meaning for the character involved, as much by its understated acting as by its simple shooting style. Carol Dempster has come far from the frolics she and Lillian Gish gave Griffith's films of the earlier twenties. And Adolphe Menjou, as Satan, is the model of restraint. For him a grimace or devilish leer would be an unspeakable faux pas. But Griffith, far from leaving him a polished gentleman without depth of character, makes his slightest gestures personally significant. Menjou is eating dinner with Ricardo Cortez in the grandest...
...WHEN they break into "Carol," an old Chuck Berry number, Jagger has to work out harder than he ever had to before. He has an accomplished body, schooled in mime, and on stage he's all flash and sex, pure wildness, the natural pop idol, Neither his body not his face betray any clear sexual commitment, it's all energy, sick and mannered, a come-on for male and female alike, a ferocious invitation to a cosmic gang bang where penises and breasts, vaginas and asses will intermingle without valence. His hands are wonderfully expressive, what Attend may have...
...After "Carol" the band went into a sloppy "Sympathy for the Devil." Jagger introduced himself as the devil and the audience burst into applause in recognition of its own dreams of what Mick Jagger doing "Sympathy for the Devil" would be like, and sure enough, when I asked people later they could have sworn they heard calypso. Most disappointing about this particular song, and most of Jagger's vocal performance for that matter, was the absence, up until "Satisfaction," of any vocal improvisation. Much of the Stones' dynamic relies on Jagger's talent for splintering and then remaking the vocal...
...CAROL LONGO The Bronx...