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...Carol Thompson, Harvard's Associate Dean for Academic Affairs, was reported to have stated that Harvard does not have the same discrimination problems as MIT (News, March 23). How does Thompson know? The Committee for the Equality of Women at Harvard (CEWH), an activist alumnae group, has repeatedly requested that Harvard produce a meaningful report on the status of women other than the federally mandated Affirmative Action plan. Harvard has ignored the request. The fact is that despite the occasional lawsuit or letter of protest by faculty women, no one at Harvard has been willing to investigate the possibility...

Author: NO WRITER ATTRIBUTED | Title: Letters | 4/12/1999 | See Source »

...Carol J. Thompson, Harvard's associate dean for academic affairs, said she was surprised to hear of MIT's findings, but also said she was encouraged that the Institute had publicly acknowledged them...

Author: By Robin M. Wasserman, CONTRIBUTING WRITER | Title: MIT Acknowledges Discrimination Against Women Faculty | 3/23/1999 | See Source »

...Carol J. Thompson, Harvard's associate dean for academic affairs, said she was sur- prised to hear of MIT's findings, but also saidshe was encouraged that the Institute had publiclyacknowledged them...

Author: By Robin M. Wasserman, CONTRIBUTING WRITER | Title: MIT Finds Bias Against Female/Faculty | 3/23/1999 | See Source »

Bunting Fellow Carol A. Mason discussed the contradictions posed by abortion opponents who kill for their cause during a Bunting Institute presentation yesterday afternoon...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Author Criticizes 'Contradictions' Of Abortion-Opponent Extremists | 3/18/1999 | See Source »

...upon a time, the jazz or jazz-inflected scores for movies like A Streetcar Named Desire and The Man with the Golden Arm were breakthroughs. Today the sound of a saxophone wailing in the night is as tired a film noir cliche as the battered fedora--the stuff of Carol Burnett sketches. But Blanchard, a trumpet player and film composer himself, finds new beauty and wit in the originals, fashioning mini-suites from the above-mentioned scores (and others) that shift between cinematic lushness and small-group drive. Blanchard's bruised, lyrical solo on Chinatown is a highlight--a freshly...

Author: /time Magazine | Title: Music: Jazz In Film | 3/15/1999 | See Source »

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