Word: carousels
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Dates: during 1990-1999
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...favorite tryout town is still London -- of 29 current or soon-to-come Broadway productions, 13 are at least partly British in origin. That number includes not only Andrew Lloyd Webber musicals but also works by Americans, such as Angels in America, Kiss of the Spider Woman and now Carousel. David Mamet's next drama, The Cryptogram, will debut in London before it hits Broadway, just as his Pulitzer prizewinner Glengarry Glen Ross...
...nearly two years a half-century ago, the original version of Rodgers and Hammerstein's Carousel played across the street from their original Oklahoma! To most devotees of musical theater, that era seems like heaven. It is obligatory among the ardent to deride today's Broadway blockbusters as vastly inferior to the hits of yesteryear and to cry out, If only they made 'em like they used to. To me, the Broadway opening last week of a revival of Carousel prompts the thought: Thank God they don't. I'd far rather see Miss Saigon for a fifth time...
What is wrong with Carousel is Carousel. The book is a mess. After a leisurely opening extravaganza, it brings together two discontented and penniless youths who quit their jobs and upend their lives to satisfy a moment of sexual curiosity. Within minutes the pair are rocketed into abiding love. Then the hyperkinetic narrative is suspended for about 20 minutes to accommodate a folksy dance number and a comic song in which the only joke is that a fisherman smells like fish. The action alternates between aimless divertissement and melodrama for an overblown three hours. At the end, the central character...
...revivalists once disembarked each summer at Oak Bluffs, where one of the country's first free-Black communities sprang up. Today, Oak Bluffs is a delightful mix of gaily painted cottages and curio shops. Kids of all ages will enjoy catching the brass ring on the nation's oldest Carousel, "The Flying Horses...
Glittering on the horizon are Carousel, in a staging that is already a hit in London, and Damn Yankees, now a smash at San Diego's Old Globe Theater. Both concern the collision of the supernatural and the everyday, the former with tragic dimensions and the latter with bawdily comic ones. Carousel has been reimagined in its physical production; Yankees, full of passe baseball references and bygone mores between men and women, has undergone a revamping of its book. Both have the potential to make the best possible case for revivals: they are far better than anything new that...