Word: carozza
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...Paolo Carozza's Ernest, by contrast, lacks some of the necessary dash. Whether this is inherent in the part or not, he is, unfortunately, upstaged by Algernon. As Jack's beloved Gwendolyn, Anne Higgins is marvelously coy, delivering her studied and empty superlatives with necessary aplomb...
...Myra (Anne Higgins) is a factor only in the first act: Myra is suitably awkward when Anderson arrives and she ridiculously fears that her husband may actually do him in for the chance at another hit and a trip to the Riviera. And Bruhl's lawyer Porte Migrim (Paolo Carozza) comes by occasionally to act pseudo-everything like the prototypical Westport, Conn. lawyers...
...play commences with corpses of Lily (Jennifer Divine), Skinner (Roger Gould), and Michael (Paolo Carozza) being carried off the stage. The focus changes quickly. We are plunged into the tribunal hearings to determine the facts of the deaths. The inquiry lasts throughout the play, but the proceedings are punctuated by flashbacks and seemingly irrelevant commentary by unrelated characters such as an American sociologist, newspapermen, and visitors to a bar. This technique, the appearance of outside characters, usually succeeds in providing external perspectives on the tragedy, but the patchwork of a plot often slacks off as characters go off onto unnecessary...
...Paolo Carozza's Michael joins the ranks of the marchers spurred by idealistic desires for a better life. Carozza performs refreshingly with a fervent gleam in his eyes, reflecting his dedication to a clean victory. His upright posture and naively strained voice show the determination of youth...
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