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Since 2001, Chris Carrabba and his not-so-merry band of pop-punk troubadours have been quietly establishing Dashboard Confessional as one of the decade’s most consistent alternative rock bands. Saddled with the much-overused “emo” stigma, Carrabba??s music—combining the heartfelt, earnest lyrics of U2 and late R.E.M. with the gift for swelling, melodic pop hooks of ’90s bands such as the Goo Goo Dolls and Gin Blossoms—surpasses the restrictions of any disparaging genre classification...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Dashboard Confessional | 11/13/2009 | See Source »

...recent years, Dashboard Confessional has balanced its identity between two disparate sounds: urgent punk—like breakthrough single “Hands Down”—and lovelorn, acoustic balladry, such as the early fan-favorite “Screaming Infidelities.” Carrabba??s newest effort. “Alter the Ending,” strikes a middle ground between these two extremes, but the final product is somewhat inconsistent; “Alter the Ending” excels in the realm of emotional power ballads but also contains a great deal...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Dashboard Confessional | 11/13/2009 | See Source »

...album’s opening track, “Get Me Right,” begins with a single, insistent guitar riff and then proceeds to build with electronic synths, gunshot drums, and Carrabba??s voice nervously fluttering above the ruckus as he pleads. “I know you’ll get me right / Oh Jesus, I’ve fallen.” The song’s religious overtones do not quite fit with the remainder of the adolescent-themed album, but thrown listeners will feel right at home as the record then effortlessly...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Dashboard Confessional | 11/13/2009 | See Source »

Unfortunately, what makes “Alter the Ending” an often dissatisfying listen is the uniformity of about half the album’s songwriting. Consisting of the same thick guitar lines, intense drumming, and vocal acrobatics of Carrabba??s wobbly tenor, the band’s newest efforts sound like weak facsimiles of “Hands Down” and “Vindicated.” The songs feebly retread old territory rather than covering new ground...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Dashboard Confessional | 11/13/2009 | See Source »

Still, the lack of mellow moments on the album does not entirely sour the affair, as Dashboard also chooses to indulge their newfound penchant for power ballads. Without the false urgency of the faster numbers, the ballads still retain the melodic prowess of Carrabba??s songwriting...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Dashboard Confessional | 11/13/2009 | See Source »

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