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...crowd-pleasing bits fall to Sinatra. His serio-comic masquerade as a Nazi becomes more than a stunt when, speaking German with eyes, hands, and shrugged shoulders, he fakes a conversation with a Gestapo man who has spied his American watch. Inevitably, the tedeschi leave a voluptuous collaborator (Raffaella Carra) reclining in the caboose. Sinatra spurns her advances, and when she tries to escape, he regretfully mows her down, simultaneously thumbing his nose at his own public image and giving this rolling-stock melodrama at least one swift, strong, indisputable moment of truth...

Author: /time Magazine | Title: Cinema: Back to the Front | 6/25/1965 | See Source »

Benches & Dreams. When three of the manifesto signers-Umberto Boccioni, Luigi Russolo and Carlo Carra-held a "Futurist Evening" in Turin, they set off a riot. In Bologna, Carra was nearly killed when an exasperated antifuturist hurled a bench at him, and in Treviso the three painters had to be rescued by the police from a mob. But the searing colors and frenzied designs of the futurists had their purpose: to depict not the surface world but the latent powers asleep within...

Author: /time Magazine | Title: Art: ON NATIVE GROUND | 7/11/1960 | See Source »

...Corporate State has set the seal of official approval by commissioning them to do frescoes for public buildings and for the Italian Pavilion at the Paris International Exposition last summer. Among artists represented were Severini, a onetime Futurist who has come back to Tuscany; Pirandello, son of the playwright; Carra, another Futurist who now paints slablike figure studies; Campigli, a respected abstractionist and fresco painter; Cagli, who uses with more talent than most the prevailing umbers, reds and sombre blues of the Italian school; Casorati, winner of this year's second prize at the Carnegie; the eminent metaphysical painter...

Author: /time Magazine | Title: Art: Italian Comet | 12/20/1937 | See Source »

...stage manager is Frederick Ireland '33, the electricians are B. H. Goldsmith '33 and West and Lawrence Carra '32 is the property manager. The play was directed by A. R. Lovejoy and A. P. Segal...

Author: NO WRITER ATTRIBUTED | Title: CAMBRIDGE SCHOOL OF DRAMA GIVES "WEDLOCK" | 4/6/1931 | See Source »

...Lawrence Carra '31, the Harvard Club of Somerville scholarship...

Author: NO WRITER ATTRIBUTED | Title: 23 STUDENTS WIN MIDYEAR AWARDS | 3/30/1928 | See Source »

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