Word: cars
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Dates: during 1970-1979
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...following day sent Agents Jack Coler and Ronald Williams, both 28, to Oglala with warrants for the arrest of the other three. The agents headed toward a hamlet down a dirt road flanked at the end by 20-ft.-high rocky banks. Indians apparently opened fire on the car from both sides. Coler and Williams radioed a desperate Mayday call and succeeded in turning the car around, but could not get away. Their assailants apparently dragged both men-by then presumably dead-from the car, stripped them of their belongings and shot them in the back of the head...
...time she really relaxes is when she is alone with her family. It consists of two sons-Rajiv, 30, an Indian Airlines commander who is married to an Italian and has two children, and Sanjay, 28, also married and an industrialist who has designed and produced an Indian compact car named "Maruti" (Tempest). Both Rajiv and Sanjay are products of Indira's marriage to Parsi Lawyer Feroze Gandni>, who died...
Already a crowd is gathering on the narrow sidewalk. "It's the gold crest on the door," Elton explains. "They think the car belongs to the royal family." He is greeted by the puzzled expressions and fading smiles of people disappointed at seeing a diminutive Hobbit. The bowing doorman and salesmen inside Cartier could not be more pleased. "Good morning, Mr. John," they chime in unison. "Can we help you with some gifts...
...Clouseau by his chief inspector that the beggar may well have been a lookout. Dumbfounded, Clouseau does not mention that while the robbers made their getaway, he picked up a stray bit of currency that the brigands had dropped from the bundle and even stopped traffic for the getaway car...
Which is fitting, because Gene Hackman paces through this film like a rush hour shadow, mustached and anonymous, sitting in his car playing magnetic chess, inconspicuous in a plain coat and tie. Hackman works wonders with a part like this: when he isn't cast as the big blustering shove-around of Popeye Doyle or Scarecrow, or squandered in a mistake like The Poseidon Adventure, he's our best interpreter of the middle-class presence: not the hero, or the anti-hero, but the unhero, making his own blind...