Word: carteris
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...Arturo Basile, they added: "Kill the conductor as well as the tenor!" Tenor Bondino beat a timorous retreat to his hotel under police escort. Early the next morning he fled back to Rome rather than face the en raged Parma gallery in other scheduled performances of Traviata. Soprano Rosanna Carteri, also appearing in Traviata, fainted from tension, wailed as she was assisted to her dressing room: "It's dreadful having to sing with the thought that every time I open my mouth I might finish with an overripe tomato...
Following the Carteri incident, even veteran Soprano Renata Tebaldi lost her voice from fright before a Parma performance of Boheme ("I can't sing tonight; something has tightened my throat up," said she), and Conductor Basile, in an effort to appease the gallery, fired four of the weaker members of the cast. It was all too much for Milan's Opera Singers' Union. Unless the manners of the gallery improved, said the union, its singers would be forbidden to appear in Parma...
Poulenc: Gloria in G Major for Soprano, Chorus & Orchestra (Rosanna Carteri; the French National Radio-Television Orchestra, conducted by Georges Prêtre, with chorus conducted by Yvonne Gouverné; Angel). Poulenc's 'joyous hymn to God," commissioned last winter by the Koussevitzky Foundation is recorded for the first time. It is a remarkable work fashioned with greater simplicity than some of Poulenc's more brittle pieces, in turn reverent, mischievous and exultant...
Poulenc wrote Gloria, as he writes all of his music, in his 16th century country home in Touraine, because "like wine, which can grow only in its own soil, I can compose only in France." Originally, he intended it for one of his favorite singers, Italian Soprano Rosanna Carteri ("She has a voice with lipstick and powder"), but at the work's premiere the principal part was sung by U.S. Negro Soprano Adele Addison, who so impressed Poulenc that he interrupted a rehearsal to shout: "Parfait! Parfait! La perfection!" Poulenc plans to write a new opera for La Scala...
...Rosanna Carteri, 23, guest star at Milan's La Scala, the Salzburg Festival, etc., had the crowd swooning from the moment she walked on stage as Mimi in Puccini's La Bohème. She reminded one critic of Italy's "gorgeous-looking, immensely skillful actresses," surprised everyone when her warm singing and touching performance equaled her looks. In her second opera, a sunny revival of Cherubim's The Portuguese Inn, the San Francisco Chronicle's Alfred Frankenstein called her "the very incarnation of youthful feminine grace and vivacity." Even before she had appeared...