Word: cartiers
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Dates: during 1980-1989
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...then Korea were acknowledged giants. The 1947 founding of the photographers' cooperative Magnum had established the principle that picture takers should own the rights to their work. (Previously, rights had belonged to whoever commissioned a project.) Photojournalism could even claim a | theoretical foundation, as in Henri Cartier-Bresson's idea of the photographer as instant organizer of reality...
...FIXING A SHADOW: 150 YEARS OF PHOTOGRAPHY, National Gallery, Washington. The history of photography as art, assembled from public and private collections around the world. More than 400 original pictures representing 200 photographers. Among them: Louis Daguerre, Alfred Stieglitz, Henri Cartier-Bresson, Walker Evans and Dorothea Lange. Through July...
...with a taut dancer's body, sandblasted jawline, thick uncolored platinum hair and barely a trace of makeup except for one "expensive cosmetic," the face-lifting, her first done in her late 40s. Her fastidiously tailored look is accented by understated braided-gold Cartier jewelry and a black-band Tiffany watch. But behind the reserved, nearly studied exterior, her agile mind freewheels playfully. She conducts the meeting by digression, challenging and revising every assumption presented and switching subjects to alight on a new idea before circling around to finish the last. The method is collaborative: a free-form Scrabble game...
Arthur Gross calls himself a "nationally renowned neo-Pop artist." What he does, in plain English, is sell trash. Not just any trash, to be sure. Gross, 23, rifles through the garbage cans of Beverly Hills, ferreting out such choice items as receipts from Cartier or cocktail napkins from the Beverly Hills Hotel's Polo Lounge. He then packages the debris in a clear plastic bag, slaps on a pink and green Beverly Hills Trash label and charges $5 for each bag-cum-artwork...
...LIFE's Alfred Eisenstaedt. Yet Lacayo prefers to make his own impressions with words rather than film. "I don't take photographs," he notes. "I take snapshots." After all, when he wants to look at enduring images, all he needs to do is reach for that beat-up old Cartier-Bresson volume that he still keeps close at hand...