Word: cartoon
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Dates: during 1950-1959
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...Chartres, and more. The soft radiance of medieval glass, coming from imperfections that fractured the light, was duplicated by hand craftsmanship. The gothic spectrum was expanded by modern chemistry to include an endless range of intermediate tones. But the laborious process of cutting glass to the pattern of the cartoon, painting in details with an enamel of metallic oxides and ground glass, baking it, and finally assembling it with strips of lead is almost unchanged. Villon worked several months on sketches (one-tenth actual size), made monthly trips to Reims to supervise the work. Said he: "I would love...
...such confusion was the man behind the week's news, General de Gaulle. Without a word being touched, the conservative Paris daily L'Aurore cried in boldface headlines: LET THE ELYSEE PALACE DESIGNATE DE GAULLE, and the Communist daily L'Humanité ran a frontpage cartoon of De Gaulle holding the dead body of Marianne, symbol of the French nation, with the appeal: "Bar the Route Against Military Dictatorship." Explained one censor: "De Gaulle's name is too much of a national symbol to tamper with." Translated from the French, that seemed to mean that...
...Cartoons range from Disney's Donald Duck to Her block's political satires. Thurber's cartoons lie very close in essence to the "pure cartoon"--the self sufficient line drawing to which words are contingent accidents. These unadulterated pictures resemble poetry in use of paradox and irony, subtle imagery and wit. They live through a juxtaposition of incongruities, an analogous inversion of the natural order of the universe, and dexterous development of symbolism...
...view of mystery shrouds the rabbit symbol. Men link rabbits with magic hats and lucky feet--the unknown and the unexpected. The cartoon of the lady and the rabbit-psychiatrist ("You said a moment ago that everybody you look at seems to be a rabbit. Now just what did you mean by that, Mrs. Sprague?" bears directly on this issue. The lady fears sex. She sees all men as potentially sexual creatures, and confuses this fear with the rabbits who so flagrantly violate her moral standards. The psychiatrist himself becomes a rabbit, for he shares with the beast the secret...
...five-week trip to the U.S., Lancaster, 50, took along his cartoon regulars, banjo-eyed Maudie and her mustached husband Willie, Earl of Littlehampton. Gasped Maudie in a supermarket: "Haven't you got anything-but anything-that's been touched by human hand?" But everywhere Lancaster went, he was impressed by the change in Americans and Americana: André Gide on drugstore newsracks instead of "a couple of Mickey Spillanes," polite cab drivers, even architecture "with a new restrained look . . . the severe but effective cliffs of steel and glass that now dominate Park Avenue." Furthermore, "voices are quieter...