Word: cartoon
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...their own demimonde - black-cast films, more than 500 of them between 1916 and 1950, most of them made independent of the studio system, some of them directed by blacks. They gave African-American audiences a chance to see themselves, on the big screen, in roles other than predators, cartoon buffoons and domestic servants - or, to quote (uncomfortably) the title of Donald Bogle's synoptic history of blacks in movies, "Toms, Coons, Mulattoes, Mammies, & Bucks...
...writing to express my utmost shock and outrage at the cartoon by Benjamin I. Rapoport ’03 (Editorial Cartoon, April 12). The cartoon, featuring a Herculean Israel surrounded by a Hydra of snakes, a clear reference to Palestinians and potentially a reference to surrounding Arab countries is a disgusting racial slur and an affront to decent journalism. If you agree that even implied racism is intolerable, it is irrelevant that the cartoon fell short of placing a Palestinian or Arab label on the snakes. To refer to Palestinians as snakes not only reflects plain bigotry but it also...
...addition to being facially racist, the cartoon assumes a version of Israel’s borders—encompassing the occupied territories—not recognized by any nation in the world, including the United States. It is nothing short of shameful that, while the entire world is calling on Israel to end its invasion and calls for the legitimate rights of Palestinians, your paper publishes such an inflammatory cartoon...
...stories sank in, cocky airline pilots - many of whom have combat experience - seemed humbled by the challenge of dealing with terrorism. The class laughed when one presenter showed a cartoon of Richard Reid, the scraggly "shoe-bomber" who tried and failed to blow up an American Airlines flight from Europe last December. But the lecturer scolded them. "Reid was not a bumbling idiot. In fact, the sophistication of his operation should make you shiver...
...Ceci n’est pas une pipe” and from a smouldering cigar; he exposes organic components of heart, bone and vascular tissue in boxed-off frames. The work juxtaposes Homer Simpson with a Renaissance pencil portrait and a photograph of Sigmund Freud with a cartoon of a non-Disneyfied Pinnochio figure. The sheer volume of Bergstein’s icons requires considerable time to parse through his allusions, but close scrutiny rewards the viewer with finely attuned detail...