Word: cartoonable
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Dates: during 1960-1969
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Another theme is labeled Inferiority Complex. And the tiny images that speckle these works are ciphers but also reference points dotted on the topography of his own thoughts. A cartoon imitation of a World War I biplane suggests war; corsets and garter belts spell out the paraphernalia of lust; a woman's pelvis is decorated with the design of a jet engine. "The life force," says Baruchello, "is supplied with fuel from two reservoirs-love and fear...
...World War II. She made an even bigger reputation in the Korean War as the only woman correspondent on the scene. At first, the U.S. Army wanted no women reporters at all and ordered her out of the country. Getting wind of this, a Soviet magazine gleefully ran a cartoon showing her being ejected from Korea at bayonet point. The caption: "MacArthur's first victory." But it was the general who capitulated. Maggie confronted him in Tokyo and complained: "I am not in Korea as a woman but as a war correspondent." Mac rescinded the order...
...Charlie Brown Christmas stars all the familiar Charles Schulz cartoon characters, faithfully animated by ex-Disney Artist Bill Melendez. The par able, too, is pure Schulz. Christmas is coming, but "good oF wishy-washy" Charlie Brown doesn't "feel the way I'm supposed to feel." "Look, Charlie Brown, let's face it," explains Lucy...
...Times Square is the work of Photographer Henry Grossman, who, burdened with equipment, climbed 17 flights until he got the view he wanted of the intersection of Broad way and Seventh Avenue at 45th Street. He had already caught the barbershop scene, with its air of a 19th century cartoon. The top two photographs on the left were taken by Mike Smith, who, fortunately, hadn't quite made it to the subway when the lights went out. He walked across Manhattan to the Hudson Tube station and along the way shot the candlelit lobby of the Sheraton-Atlantic Hotel...
...eager to outdrink, outgamble and outperform any other Clansman. Finally there were the unkindest cuts of all-from the Negro press, resentful of Davis' growing reputation for all-night all-white parties. "Howcum we never see Sammy Davis hangin' on the corner up here?" ran the cartoon in a Harlem paper. "You crazy, man? Sammy ain't colored no more...