Word: cartoonable
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Last week's most frenzied bidding was for Warhol's stash of 152 cookie jars, mass-produced pottery from the 1930s and '40s in cutesy animal and cartoon motifs. At one point, two Manhattan businessmen faced off over two cookie jars and a pair of salt and pepper shakers in the form of a black chef and his wife. The final bid: $23,100 for a lot whose value Sotheby's had estimated at $100 to $150. "Spiritually, they are just wonderful," gushed Maria Olivia Judelson, wife of the victor. If so, then Cuban-born Businessman Gedalio Grinberg was truly...
...Andy's kitsch -- "collectibles" was Sotheby's more tactful label -- fetched upscale prices. A Miss Piggy and Kermit the Frog beach towel and other Muppet memorabilia went for $1,760. A Fred Flintstone quartz watch, still bearing its original Bloomingdale's price tag of $20, and two other cheap cartoon watches sold for $2,640. "It's not the article, it's who it belonged to," explained Steve Taenaka, a hair stylist who bid $1,000 for a Mickey Mouse watch and lost. He settled for the auction's six-volume catalog, a relative bargain...
Bochco's sly accomplishment is to have concocted a show that, while styling itself as a no-holds-barred look at the legal profession, manages to reaffirm a host of romantic illusions about lawyers. Except for one cartoon villain (the mercenary Brackman, played by Alan Rachins) and to some extent the slick divorce lawyer played by Corbin Bernsen, virtually all the main characters on L.A. Law are upright, principled, sensitive and dedicated. There are few hints that ethical compromises, or even a healthy professional detachment, might be part of the terrain. When Abby Perkins (Michele Greene), one of the firm...
...what cartoon lover wouldn't want to see such a match...
...spirit, all these blockbusters -- among the top grossers in movie history -- were closer to the cartoon classics than the late-'70s Disney product was. Without its founder, the studio floundered, producing modest cartoons, lame sequels and sci-fi thrillers without art or heart. However conscientiously Ron Miller ran the shop, he was no match for Lucas and Spielberg. As if by osmosis, these young outsiders had learned the master's lessons of film artistry and audience manipulation. Miller was Disney's son-in-law, but Lucas and Spielberg were Walt's true heirs...